Tuesday, September 1, 2015

September 2015 Poetry Challenge - A Poem Involving Makeup

Photo by Kathy Marie Penrod    


According to Wikipedia, “The history of cosmetics spans at least 6000 years and is present in almost every society on earth.” Some archaeological evidence suggests that the use of makeup dates back 10,000 years. There is no doubt that it was used in ancient Egypt and ancient Greece.

Matthew Prior (1664-1721), an English diplomat and poet noted for his wit, wrote this poem.


Phyllis’s Age
How old may Phyllis be, you ask,
Whose beauty thus all hearts engages?
To answer is no easy task;
For she has really two ages.

Stiff in brocard, and pinch'd in stays,
Her patches, paint, and jewels on;
All day let envy view her face;
And Phyllis is but twenty-one.

Paint, patches, jewels laid aside,
At night astronomers agree,
The evening has the day belied;
And Phyllis is some forty-three.
~ Matthew Prior (1664 – 1721)

This poem is in the public domain.


My makeup poem, published in Free Verse, 92 (2007) took a different turn:

Makeup

The cop had to admit
the corpse
had a beautiful face

eye liner
shimmering lipstick
cheeks red with rouge

all applied
as she drove
seventy miles per hour

~ Wilda Morris

 
The title poem of William Marr’s book, Autumn Window, is somewhat more subtle regarding the use of cosmetics.

Autumn Window

Now that she is middle-aged, my wife
likes to stand before the window
and comb her hair

Her only makeup is a trace of cloud
the landscape of a graceful
poised maturity

~ William Marr

From Autumn Window (Arbor Hill Press, 199 6), p. 109. This poem is published in Chinese, French and English in Marr’s book, Sérénade de Chicago (Ėditions Instutitut Culturel de Solenzara, 2015).


A Couple of Relevant Poems Online:


Rabaya, “Ode to Makeup” (poem by a teenager), http://www.teenink.com/poetry/all/article/123538/Ode-to-Makeup/.


September Challenge – A Makeup/Cosmetic Poem

The Challenge for September is to write a poem in which makeup (cosmetics) plays a role. No tattoo poems this month, please.

The deadline is September 15. Poems submitted after the September 15 deadline will not be considered. There is no charge to enter, so there are no monetary rewards; however winners are published on this blog. Please don’t stray too far from “family-friendly” language. No simultaneous submissions, please. You will know by the end of the month whether or not your poem will be published on this blog. Your poem may be free or formal verse. If you use a form, please specify the form when you submit. Decision of the judge or judges is final.

Poems published in books or on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a print periodical, you may submit it if you retain copyright, but please include publication data.

Copyright on each poem is retained by the poet. Winning poems remain on the Internet on this blog, but you can offer reprint rights to other publishers a month after your poem has been posted here.

How to Submit Your Poem:

Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”) . Include a brief bio which can be printed with your poem, if you are a winner this month.

Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name (exactly as you would like it to appear if you do win) at the end of the poem. Poems may be pasted into an email or sent as an attachment. Please do not indent the poem or center it on the page. It helps if you submit the poem in the format used on the blog (Title and poem left-justified; title in bold (not all in capital letters); your name at the bottom of the poem). Also, please do not use spaces instead of commas in the middle of lines. I have no problem with poets using that technique; I sometimes do it myself. However I have difficulty getting the blog to accept and maintain extra spaces.

I prefer receiving poems in the body of your email. If I have questions about format of the winning poem or poems, I will contact the poet.

Poems shorter than 40 lines are generally preferred, though longer poems will be considered. Also, if lines are too long, they don’t fit in the blog format and have to be split, so you might be wise to use shorter lines.


© Wilda Morris

Thursday, August 27, 2015

August 2015 Challenge Winners - Grief Poems

Art by Susan Florence, from the cover of her book,
When You Lose Someone You Love.
Used by permission of the artist.

There were a number of very moving grief poems submitted for the August Challenge. Writing poetry can be a good therapy for grief. It is not unusual for adults who have never written poetry before to do so as a way to express the loss of a loved one. Thank you to everyone who submitted a poem this month, and to Susan Florence for serving as the judge.

The three winning poems are quite different, but each express grief in an effective way.  

The third place poem is a sestina written by a repeat Poetry Challenge winner. For a sestina, the poet selects six words and uses one to end each line in stanza one. The same words (in a specified order) end the six lines of each of the first six stanzas. All six of those words reappear in the final three-line stanza, three as end words. For this poem, the poet altered the form slightly by adding an extra word to the last line, a word of affection which results in an unexpected rhyme.

To Uncle, in Memoriam

The man was more than uncle
To my half-orphaned son.
To his office of obstetrics and women held to duty,
He added more than medical expertise.
There they received from brother a sympathetic ear
And for all, a sealed confidence won.

Look upon his order, through more than temperance won.
Recall the discipline of your uncle
Who never tired to lend his ear
And many times upheld you, Son,
Nor shirked his calling’s expertise.
This he held to highest form, nor fell from daily duty.

If ever a day you lose that sense of duty,
Remember then how Uncle had his honor won.
Remember how in simple, confident expertise
He maintained the trust of many, an uncle
Who found the time to fish with you, my son,
And many a lesson furnished to your thirsting ear.

Your undiminished, searching ear
Sought and needed the vision of this uncle’s duty. 
(An unforeseen hiatus, a father absent from his son.)
More than once by his example you won
Your sense of right and wrong, imparted by this uncle,
This one who never failed to share his expertise.

But how can another’s expertise
Soothe our reddened eyes, when ears
No more would catch the voice of Uncle?
He’d served his time, he’d done his duty.
The hearts of all he’d won
And all our hearts were broken, as surely as my son.

A sunny day, the coffin lifted by cousins and my son.
An honor and a tribute to an uncle’s expertise.
And for my son, a victory won,
A tune within the ear
Of all that life requires: a duty
Learned by sunny days shared. “Oh, Uncle!”

The lesson won was more than duty,
More than expertise that bent the ear.
‘Twas love imparted to my son, love from his beloved uncle, dear.

~ Carole Mertz

About this poem, the judge said, “I have never written a sestina, because they are too mathematical and too much work for me. So I applaud this poet for her work and keeping the theme of all her son learned from her brother, the uncle in this poem. She kept to structure and kept to a story of duty and love.”


Second place goes to a free verse poem.

“Hold it firmly, but gently”
for my brother Bob Kell: I will be forever grateful for your dedication to our mother

In the picture my mother is holding a cardinal.
She cups it in her old woman’s hands.
Her hair, lit by the Alabama sun,
shines silver against the deep winter woods.
Ivory jacket over her azure shirt,
she is a study in darkness and light.
So radiant,
so eager to take her part.
Almost eighty years old, she is banding birds.

The words she wrote on the back of the picture
seem to be her instruction for me.
I first saw them twenty years ago
and I’m still ferreting out
what bird I am meant to band,
what hold is the right combination
of gentle and firm.

When she died three years ago
I myself was put on hold
revisiting pictures and cards,
the captured images, the slanted words,
still waiting for more instructions.

She doesn’t look at the camera.
Her attention is all for the bird
alert and poised in her wrinkled hands

Her mouth opened in pleasure
this moment
before the release.

~ Barbara Ruth

Susan Florence wrote, “The metaphor of this poem with the older woman banding a cardinal and then giving it release is wonderful. Also the description of her 80-year-old mother in the photo and the landscape brings me in. For me the title describes exactly how best I should treat my life.”


The first place poem was written by another repeat winner. It is a modified ghazal.

Grief Ghazal Variation

A sudden wind strips the Ailanthus leaves.
A cold half-moon rises.
Voices recede like distant waves.
The six-year cicadas have stopped singing.

Lights and shadows race across the bedroom
ceiling then disappear.
The air purifier no longer hums.
The six-year cicadas have stopped singing.

A moth pulses in a web of silk behind
the torn window screen.
Empty picture frames gather dust.
The six-year cicadas have stopped singing.

Puppets can’t dance anymore. Your turtle
and its plastic island are gone.
The blue wallpaper peels and fades.
The six-year cicadas have stopped singing.

~ Jenene Ravesloot

Here is the judge’s response: “The theme of this poem is of melancholy and loss and even though each line can be read on its own, the theme is emotionally the same, as is expected in a ghazal. The line images are all evocative and haunting, showing us loss, never telling…like the moth pulsing in a web of silk. Lovely. The repetition of the cicadas that have stopped singing in their six-year cycle expresses so well a life cut short. This poem is strong and each line images how grief feels. It is a beautiful poem. I know ghazals are couplets in structure, but by saying “Variation” in the title, I think this works.”

If you live in the Chicago area, you can hear Jenene read at 12:30 p.m., Sunday, August 30, at Brewed Awakening in Westmont, Illinois (details posted at http://illinoispoets.org/#ls).

The poets retain rights to their own poems. Please do not copy and distribute the poems without the consent of the poets.

Bios:

Jenene Ravesloot is a member of The Poets’ Club of Chicago, the Illinois State Poetry Society, Poets & Patrons of Chicago, and the TallGrass Writers Guild. She has written three books of Poetry: Loot: Stolen Memories & Tales Out of School, The Chronicles of Scarbo, and FloatingWorlds. Jenene is a member of The Omniphonic Poetry Trio, a poetry and music band with Tom Roby and Lem Roby. Jenene has led many workshops with Tom Roby at various Chicago Public Libraries. She has published in numerous print and on-line journals and anthologies. Some of Jenene’s readings can be viewed on YouTube. Several of her poems have been made into video poems by members of The Poetry Storehouse and Pool.

Barbara Ruth is a published photographer, memoirist, essayist and fiction writer, as well as poet. She was San Diego Area Coordinator of California Poets In the Schools for many years and last year a featured writer/activist at the biannual gathering of Old Lesbians Organizing for Change. Her work will appear in the following anthologies in autumn of this year: QDA: Queer Disability Anthology; Stories Of Our Lives: Women and Health; and Slim Volume: This Body I Live Inside. She lives in San Jose, CA.

Carole Mertz enjoys writing essays, poems, and reviews. She loves Steve Werkmeister’s lines, published here, of how great it feels when a poem seems to “click.” “It’s like striking a ball off your foot.” (see poem “Advice to a Young Poet,”  the winning poem in the July Poetry Challenge).

Susan Florence is also the author of a gift book, When You Lose Someone You Love. The book, designed with illustrations of nature and water, was written with few words. It is intended, the author says, “as a caring gift to give someone after they have lost someone they have loved. . . . even many months or years later, because the ones we love live on within us forever." It can be purchased through either of two websites: http://www.amazon.co.uk/When-You-Lose-Someone-Love/dp/1861874219/ref=sr_1_1?ie=UTF8&s=books&qid=1212008669&sr=1-1 or www.susanflorence.com  and click on Journeys Books.




© Wilda Morris
 

Saturday, August 1, 2015

August Poetry Challenge: A Grief Poem



Grief is a natural part of the human condition. Although we know that we and all those we love must die, we struggle to deal with loss. I recently reread A Stunning Absence: poems for all who grieve, a chapbook by Susan Squellati Florence. She has given me permission to share some of her poems.

“Cousins Weekend, Monterey,” deals with the death of a child.
            We cradle her, hold her fists
            as best we can, not one of us knowing
            how to live after a child has died.
I lost a grandchild more than twenty years ago, and those lines pull at my chest. I know their deep truth.

“Waiting for a Patch of Blue” puts us in a sanctuary for a funeral:
            The church stood large and cold.
            When the blind man played
            the piano, sang Ave Maria,
            not one of us could move.

Then the poem takes us on the highway toward home. The narrator is in that emotionally empty (my word), having to return to every-day life:
            I listen to the windshield wipers
            follow the broken white lines on Highway 101,
            keep my foot on the gas.

Here are two poems from the collection:


White Mariposas, Mexico
            for Linda

Our mothers are leaving us, like white butterflies
they lift. I look out above lighted jungle leaves
and watch them rise in pure ascent.

Dear cousin, your email says, Mom Is Failing Fast.
I wish I could be with you now, back
in the summers when we were country girls.

There, I can see Aunt Annie in her apron,
hear her call and the wood screen door slam
as we carry our secrets in and out, out and in.

Ice tea waits in the tin pitcher with cool water
pumped from the well, and vine red tomatoes
sliced in Wonder bread sandwiches.

Raucous, yellow-bellied kiskadees wake me here,
like the cows that bellowed us out of bed
on hot August mornings at the ranch.

They wake my thoughts about your mom and mine,
dear sisters, they are leaving us, like white butterflies
they lift, and we can’t touch them as they fly.

~ Susan Squellati Florence


Almost One Year
            for Mary

It happened somewhere between the broccoli
and yogurt, or was it in the soup aisle
that my sister knew
she would never see him again.

She could not breathe
or control the course of her chest,
and held on to the shopping cart
for how long she does not know.

Wandering the market
where he shopped for her,
she followed the metal basket
until it filled.

One apple, one power bar,
one energy drink.

~ Susan Squellati Florence


“White Mariposas, Mexico” shows us a narrator mourning for her aunt and her mother. Her aunt is dying. There is a bit of ambiguity about whether the narrator’s mother is also dying or has already died. Either way, it is fresh grief. “Almost a Year” shows us the narrator’s sister dealing with the loss of her husband a year after it happened—a reminder that grief has many faces. It can overwhelm us at the time of a loss. As the poem, “An Undeniable Joy” demonstrates for us, eventually joy can break through
            Like poppies along the road
            Sprouting in dry soil
            Spreading gold.
But those blossoms of joy do not wipe grief out of our hearts. Even years later, something happens, and the grief takes away our breath. We talk about the grandchild who died, and tears flow, though twenty years have passed. We look out a car window and see day lilies like grandmother grew; the radio plays a song to which we danced with our now deceased partner. It is graduation day, or a wedding, and it seems so wrong that one parent is no longer living.

Another of my favorites in the collection is “A Young Woman Writes to a Composer,” but I’m not including it here, because the woman in question seems to be dealing with her own approaching death, which is outside the bounds of this month’s challenge.

In the interest of full disclosure: Susan Florence is a friend whom I met at the San Miguel Poetry Week in Mexico, and I know the person whose death is lamented in the title poem.

A Stunning Absence is sold by Finishing Line Press at https://finishinglinepress.com/product_info.php?cPath=2&products_id=2021&osCsid=cno9kqht5r9s5hmphn1sqfgj15.



Susan Florence is also the author of a gift book, When You Lose Someone You Love. The book, designed with illustrations of nature and water, was written with few words. It is intended, the author  says, “as a caring gift to give someone after they have lost someone they have loved. . . . even many months or years later, because the ones we love live on within us forever." It can be purchased through either of two websites: http://www.amazon.co.uk/When-You-Lose-Someone-Love/dp/1861874219/ref=sr_1_1?ie=UTF8&s=books&qid=1212008669&sr=1-1 or www.susanflorence.com  and click on Journeys Books.
  

Internet Links to some poems of Grief for the loss of loved ones on the Internet:

Ben Johnson, “On My First Son,” http://www.poetryfoundation.org/poem/173720.

Lucille Clifton, “Oh, antic god,” http://www.poetryfoundation.org/poem/176012.




Wilda Morris, “Fully Alive,” and “Beetles,” http://writersalmanac.publicradio.org/index.php?date=2010/10/16.


August Challenge – A Grief Poem:

The Challenge for August is to write a poem about grief over the loss of a loved one, either a family member or close friend. For this challenge, no poems on the loss of pets, please, although that can also be a deep loss.

The deadline is August 15. Poems submitted after the August 15 deadline will not be considered. There is no charge to enter, so there are no monetary rewards; however winners are published on this blog. Please don’t stray too far from “family-friendly” language. No simultaneous submissions, please. You will know by the end of the month whether or not your poem will be published on this blog. Your poem may be free or formal verse. If you use a form, please specify the form when you submit. Decision of the judge or judges is final.

Poems published in books or on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a print periodical, you may submit it if you retain copyright, but please include publication data.

Copyright on each poem is retained by the poet.

How to Submit Your Poem:

Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”) . Include a brief bio which can be printed with your poem, if you are a winner this month.

Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name (exactly as you would like it to appear if you do win) at the end of the poem. Poems may be pasted into an email or sent as an attachment. Please do not indent the poem or center it on the page. It helps if you submit the poem in the format used on the blog (Title and poem left-justified; title in bold (not all in capital letters); your name at the bottom of the poem). Also, please do not use spaces instead of commas in the middle of lines. I have no problem with poets using that technique; I sometimes do it myself. However I have difficulty getting the blog to accept and maintain extra spaces.

Poems shorter than 40 lines are generally preferred. Also, if lines are too long, they don’t fit in the blog format and have to be split, so you might be wise to use shorter lines.


© Wilda Morris