The days when writing was accompanied or followed by "a great commotion of type-writer keys" (as Richard Wilbur put it in his poem, "The Writer") are pretty nearly gone. But whether you use a pen, pencil, or some kind of keyboard, writing poetry can be exhilarating, depressing, pleasurable, challenging, addicting and/or healing.
Ask poets why they write. The motivation is not likely to be financial gain. Very few people today make a living by writing poetry, yet thousands of people write poems every day. Some don't even try to get published; that is not their reason for writing.
The advise, "Don't quit your day job," is not an insult to a poet. It is just good practical advice. Poets may make a living teaching poetry, creative writing or literature at a college or university. Or a poet may sell insurance as Wallace Stevens did, practice law like Edgar Lee Masters, supplement income with freelance writing and editing like Jane Hirshfield, or practice medicine as William Carlos Williams did.
Often the answer to the question, "Why do you write poetry?" is "because I have to." The poet may have feelings that must be expressed, or an idea or message to share. Some poets pick up a pen because writing is the only way to discover the thoughts running around in their heads. Pablo Neruda said, ". . . Poetry arrived / in search of me. I don't know, I don't know where / it came from. . . ." (http://www.tnellen.com/cybereng/poetry/QMpoetry.html).
In her poem, “Writing on April 24,
2013,” Marjorie Skelly says, “Writing is not knowing where the blessing of the
next word / will take me (The Unpublished
Poet: Not Giving Up on Your Dream (In Extenso Press, 2015). This
experience, in itself, can be a motivation for writing.
Some poets try to define poetry and the
art of poetry in a poem. See examples of this in the article on ars poetica at https://www.poets.org/poetsorg/text/ars-poetica-poems-about-poetry.
What is your experience as a writer of
poetry? Or as a reader of poetry? What is poetry (as a young man asked me
recently)? Where could one of these questions take you, if you sit down to
write a poem about writing poetry?
When
the Instructor Says Every Poem is an Elegy
I think of the poem I once wrote
that can’t be an elegy, the one of you
in the plastic yellow tub in the
kitchen sink,
my line about you being a hairless puppy
in my arms, noting the exact pitch of
your
whimper, the little o of your perfect
lips.
How over-precious, that poem – how
certain its tone of amazement that you
existed at all, that I could hold you
without hurting you. We sold that tub
in a yard sale by summer’s end and
who knows what happened to the poem.
Now photos of you fill fourteen books.
We’ve lived in three houses since I
stood
at that kitchen sink to bathe you, but
sometimes in a dream you are still
small.
Sometimes you are wandering and lost
and you can’t hear me calling because
I am lost, too, there in my dream. Is
this
death or rebirth, when I watch you from
high above and we search for each
other?
But what if I can still feel the mere
weight
of you as I lift you from the water to
drape you in a towel? What if the water
pooled into the drain, taking tiny
pieces
of you into pipes below to be dispersed
among the rocks and soil and sand and
clay?
~ Kate Hutchinson
From Map Making: Poems of Land and
Identity by Kate Hutchinson (Rosemount, Minnesota: THEAQ Publishing, 2015), p.
24. Used by permission of the author. This book can be purchased in paperback
or e-book format at http://theaqllc.com/?page_id=742&b=12.
The teacher said every poem is an
elegy, but the poet disputes that—and it takes her into memories of an infant
in a small plastic tub—a yellow one—in the kitchen sink and from there other
photos and thee houses and dreams. She followed her thoughts where they went.
One might argue that this poem is less about poetry than about a relationship
and family history, but it does illustrate something that can happen when a
poet thinks about poetry and lets that thought lead her (or him) where it will.
You can find links to a number of poems
about poetry by well-known poets at http://www.tnellen.com/cybereng/poetry/.
Quill & Parchment celebrates
National Poetry Month by publishing poetry about poets each April. Go to http://quillandparchment.com/archives/
and click on any April.
The Challenge for April 2016:
Write a poem about poetry or about
writing poetry. Or start with a thought about poetry and let it lead you on an
unexpected journey.
Your
poem may be formal or free verse. If you use a form, please specify the form.
Unless your poem is haiku, it should be titled.
If
your poem has been published you may submit it if you retain copyright, but
please include publication data. This applies to poems published in books,
journals, newspapers, or on the Internet. Note that this is a change in the
rules.
The
deadline is April 15.
Poems submitted after the deadline will not be considered. There is no charge
to enter, so there are no monetary rewards; however winners are published on
this blog. Please don’t stray too far from “family-friendly” language. No
simultaneous submissions, please. You should know by the end of the month
whether or not your poem will be published on this blog. Your poem may be free
or formal verse. If you use a form, please specify the form when you submit.
Decision of the judge or judges is final.
Copyright
on each poem is retained by the poet. If a winning poem is published elsewhere
later, please give credit to this blog.
How to Submit Your Poem:
Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”) . Include a brief bio which can be printed with your poem, if you are a winner this month.
Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”) . Include a brief bio which can be printed with your poem, if you are a winner this month.
Submission
of a poem gives permission for the poem to be posted on the blog if it is a
winner, so be sure that you put your name (exactly as you would like it to
appear if you do win) at the end of the poem. Poems may be pasted into an email
or sent as an attachment (no pdf files, please). Please do not indent the poem or center it on the page. It helps if
you submit the poem in the format used on the blog (Title and poem
left-justified; title in bold (not all in capital letters); your name at the
bottom of the poem). Also, please do not use spaces instead of commas in the
middle of lines. I have no problem with poets using that technique; I sometimes
do it myself. However I have difficulty getting the blog to accept and maintain
extra spaces.
Poems
shorter than 40 lines are generally preferred. Also, if lines are too long,
they don’t fit in the blog format and have to be split, so you might be wise to
use shorter lines.
NOTE: I have had some
computer problems lately, and so has the March judge. As a result, I have not
yet received March results.
©
Wilda Morris