Love can be
wonderful. Terrifying. Magical. Vulnerable. Exhilarating. Risky. It can result
in a long, tender relationship. Or a broken heart. The poems which follow are
tales of love gone awry.
Young Love
Sandy’s long red hair flowed down her back,
Martha’s long black hair was coiled up tight.
Sandy’s home like mine was out of sight
Of Martha’s hilltop home that had a pack
Of servants. Martha’s father had a knack
As businessman, his profits a delight.
Farewell to Sandy, once my favorite.
Let Martha’s world provide me what I lack.
At Martha’s birthday party, my hope grew
When cross the room I realized she bid
Me go outdoors with her and with her view
The garden, where she whispered as we hid,
“Now I am six years old, the same as
you.
So I can beat you up.” And then she did.
~ Larry Turner
Day in the Park
Spring is not the time
For this kind of love.
The unrequited kind
Is out of fashion now.
An elderly
couple
Sits on the
park bench
Shading
their eyes
As they
watch their grandchildren
Play in the
sun.
He wears a
gray wool cap
And smokes
a pipe.
A cane
Rests on
the bench
Next to her
knee.
You must be bored
With being worshipped
From afar.
If I really loved you,
I suppose
I would let you go.
Only I keep thinking
Of new ways
To say good-bye:
Just one more phone call
Just one more letter
Just one more poem.
If only you –
But break, my heart,
For I must hold my
tongue.
~ Barbara Eaton
First published in Ethos, a
publication of the English Graduate Organization of the University of Maryland
at College Park (Spring 1987), p. 52.
Cyber Sonnet
At twenty-five I’ve given up on fate,
no god has sent “the one” running to my arms.
I’ll enter a profile, try an online date,
tone down my nerves while I turn up my charm.
A painter looking for honesty. Please
respond. We can chat for hours on end.
The odds of finding someone has increased,
if I don’t like her, I might like her friend.
I’ve fallen deep. I cannot believe she
is everything I want. A love that’s true.
I suggest it’s time we meet. Maybe coffee?
She says we can meet at Café Ballou.
Now, I have to figure out how to ditch her,
cause she looks nothing like her profile picture.
Pamela Larson
First published by Highland Park Poetry (Go to http://www.highlandparkpoetry.org/themusesgallery.html.
Find the icon for 2011 Love Poetry toward the bottom right of the page, and
click on it.
These poets own rights to their poems.
Please do not copy them without permission. See Poet Bios below.
The October
Challenge:
The October
Challenge is to submit a poem about the dream of love going awry, Cupid’s arrow
missing the mark, a “love relationship” not turning out as expected. The poem
should be family-friendly—some children read this blog. Your poem may have a
light touch, or it may be poignant.
Title
your poem unless it is a form that does not use titles. If you use a form,
please identify the form when you submit your poem. Single-space and don’t use
lines that are overly long (because the blog format doesn’t accommodate long
lines).
You
may submit a published poem if you retain
copyright, but please include publication data. This applies to poems
published in books, journals, newspapers, or on the Internet.
The
deadline is October 15.
Poems submitted after the deadline will not be considered. There is no charge
to enter, so there are no monetary rewards; however winners are published on
this blog. Please don’t stray too far from “family-friendly” language. No
simultaneous submissions, please. You should know by the end of the month
whether or not your poem will be published on this blog. Decision of the judge
or judges is final.
Copyright
on each poem is retained by the poet. If a previously unpublished poem wins and
is published elsewhere later, please give credit to this blog.
How to Submit
Your Poem:
Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”). Put “October Poetry Challenge Submission” in the subject line of your email. Include a brief bio that can be printed with your poem if you are a winner this month. Please put your name and bio under the poem in your email.
Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”). Put “October Poetry Challenge Submission” in the subject line of your email. Include a brief bio that can be printed with your poem if you are a winner this month. Please put your name and bio under the poem in your email.
Submission
of a poem gives permission for the poem to be posted on the blog if it is a
winner, so be sure that you put your name (exactly as you would like it to appear
if you do win) at the end of the
poem.
Poems
may be pasted into an email or sent as an attachment (no pdf files, please). Please do not indent the poem or center it
on the page. It helps if you submit
the poem in the format used on the blog (Title and poem left-justified;
title in bold (not all in capital letters); your name at the bottom of the
poem). Also, please do not use multiple spaces instead of commas in the middle
of lines. I have no problem with poets using that technique (I sometimes do it
myself). However I have difficulty getting the blog to accept and maintain
extra spaces.
Poems
shorter than 40 lines are generally preferred but longer poems will be
considered.
Poet Bios:
Barbara Eaton published her first poem at the age of
seven. She was known to her late father as "Crazy Horse," and
"Figgy Pudding." She teaches part time at Morton College, and serves
as a dramaturg for the First Folio Shakespeare Company in Oak Brook, Illinois.
Her poetry has been published in a variety of venues.
Pamela
Larson has been published in East on Central, bottle
rockets haiku journal, the CRAM/JOMP series, both online and in anthologies
by Dagda Publishing in the UK and on PoetrySuperHighway.com as well as in other
anthologies and blogs. She is a member of the Arlington Poetry Project,
Barrington Writers Workshop and the Illinois State Poetry Society.
Larry Turner with his wife Donna moved to the
Brandermill Woods retirement community in Midlothian, Virginia early in 2016
after his career in college physics teaching and research in the USA and
England. His poetry has appeared repeatedly in The Lyric and in
the online journal Voices on the Wind. He has published two books of
poetry, Stops on the Way to Eden and Beyond (1992) and Eden and Other
Addresses (2005), a collection of poems, stories and dramas, Wanderer
(2011), and a memoir, The Magic Years: Tales of the Turners 1957-1970 (2015).
He edited four anthologies for the Riverside Writers chapter of the Virginia
Writers Club. He served as president of Riverside Writers, and earlier as
president of the Illinois State Poetry Society and regional vice-president of
the Poetry Society of Virginia. He is currently completing Volume III of Tales
of the Turners. At Brandermill Woods he leads the writing group, and with
Donna leads the Readers Theatre group.
©
Wilda Morris