Max Liebermann, Kinderspielplatz
im Tiergarten zu Berlin
(Children’s Playground in Tiergarten Park in Berlin), circa
1885
From WikiArt
|
Recently I flew into Leon, GTO, Mexico. The BajĂo airport there
(officially named Aeropuerto Internacional de Guanajuato) is quite small
compared to both O’Hare, the Chicago airport I had flown out of early in the
afternoon, and the Aeropuerto Internacional Benito Juarez in Mexico City, where
I had a too-short layover. I was impressed to discover a playground for
children in the area where passengers await their flights from Leon—a wonderful
new addition since I had last been in Mexico. I regretted that I didn’t have
time to watch the boys and girls who were enjoying themselves there.
I suspect most of us have happy memories of times spent on playgrounds at
schools or parks. Some of my happy memories are recounted in the second poem
below. Not included in my poem is another memory associated with the
merry-go-round at Longfellow School. Popular music was not often heard on the
radio in the home in which I grew up. My mother and grandparents didn’t look at
it askance—it just didn’t match their tastes in entertainment. When I was in
sixth grade, some of the girls who were in tune (pun intended) with the “hit
parade,” were singing “The Tennessee Waltz.” I went home that weekend and
searched out radio stations (we had no TV at that time) which played popular
music, and learned the tune and words. It was the first pop song I ever learned—all
because it was sung on the playground as we spun around. I still sing it now and then.
Some people have negative playground memories—recollections of being bullied
or physically injured. My mother fell from a swing at City Park in Iowa City,
Iowa, when she was a child—and broke her arm. The family had just moved to town
and was tenting out at the park all summer; imagine sleeping on the floor of a
tent with a broken arm! A family from the church gave Mother a roomy wooden
rocking chair in which to sleep. At the birthday party for one of my
granddaughters, her cousin (also my granddaughter) fell off the slide and broke
her shoulder, proving that even small home playgrounds create memories.
One of the favorite poets of my childhood wrote a poem about one of my
favorite playground activities:
The Swing
How do you like to go up in a swing,
Up in the air so blue?
Oh, I do think it the pleasantest thing
Ever a child can do!
Up in the air and over the wall,
Till I can see so wide,
Rivers and trees and cattle and all
Over the countryside—
Till I look down on the garden green,
Down on the roof so brown—
Up in the air I go flying again,
Up in the air and down!
~ Robert Louis Stevenson
From: A Child's Garden of Verses (This poem is in the
public domain)
I couldn’t
see quite as much variety as Stevenson’s poem suggests from either the swings
at my school playground or those at the city park, but I loved the feel of wind
in my hair and the sensation of flying. It was healing for me when I felt lonely
or had been put-down by another child. Now and then, I still walk out my back
door and across the school yard that abuts our property and swing for a little
while. It is an activity that has not lost its magic for me. Here are some
other playground memories I’ve shared in a poem:
Longfellow School Playground
I
Teeter
totters require two children,
a pair of
pumping legs at each end,
one child rising
while the other descends,
then changing
roles,
an early
lesson in partnership
and who can
be trusted not to slip
off the seat,
dropping you
with a hard
plump to the hard ground.
II
Grasping a
metal bar,
we ran in
circles, propelling
the
merry-go-round
faster and
faster. We jumped on,
hearts
racing, hair blowing,
dizzy with
exhilaration,
all that
movement taking us
nowhere but
deeper
into a shared
moment.
~Wilda Morris
First
published at http://quillandparchment.com/archives/Sept2018/long.html.
Wilda Morris’s bio appears in the right-hand
column of this blog. Her book, Pequod Poems: Gamming with Moby-Dick,
can be purchased through Kelsay books at https://kelsaybooks.com/products/pequod-poems-gamming-with-moby-dick,
or through amazon.com at https://www.amazon.com/Pequod-Poems-Moby-Dick-Wilda-Morris/dp/1949229602.
Robert Louis Stevenson (1850-1894) was a Scottish poem,
novelist, travel writer and essayist. Among his writings, Treasure Island, Kidnapped,
and A Child’s Garden of Verses Have
been especially appreciated by younger readers. He is also known for his novel,
Strange Case of Dr. Jekyll and Mr. Hyde.
The names of the main characters of that book have become iconic.
Some Other Playground
Poems:
“Back in the
Playground Blues,” by Adrian Mitchell - https://www.poetryinternational.org/pi/poem/13619/auto/0/0/Adrian-Mitchell/BACK-IN-THE-PLAYGROUND-BLUES/en/nocache.
“Playgrounds,”
by Berlie Doherty - https://childrens.poetryarchive.org/poem/playgrounds/.
Two poems
about swinging, embedded in a prose narrative - https://www.tweetspeakpoetry.com/2013/08/28/a-childrens-poem-on-the-playground/.
“The
Playground,” by Richard Moore, from Poetry
Magazine - https://www.poetryfoundation.org/poetrymagazine/browse?contentId=34806.
“The Dragon
on the Playground,” by Ken Nesbitt - https://www.poetry4kids.com/?s=playground.
The
January Challenge:
Write a poem
about a playground experience—your experience or that of someone else. It might
involve a school or park playground, one at a home, in a mall, at a place of
worship, or elsewhere. No poems about table games or organized sports, though.
Stick to the playground and the freer activities.
Your poem may
be free verse or formal. If you use a form, please identify the form when you
submit your poem.
Title your
poem unless it is a form that does not use titles (don’t follow Emily Dickinson’s
practice on that!). Single-space. Note that the blog format does not
accommodate long lines; if they are used, they have to be broken in two, with
the second part indented (as in the poem “Lilith,” one of the January 2018
winners), or the post has to use small print.
You may
submit a published poem if you retain
copyright, but please include publication data. This applies to poems
published in books, journals, newspapers, or on the Internet. Poems
already used on this blog are not eligible to win, but the poets may submit a
different poem, unless the poet has been a winner the last three months.
The
deadline is January 15.
Poems submitted after the deadline will not be considered. There is no charge
to enter, so there are no monetary rewards; however, winners are published on
this blog. Please don’t stray too far from “family-friendly” language (some
children and teens read this blog). No simultaneous submissions, please. You
should know by the end of the month whether or not your poem will be published.
Decision of the judge or judges is final.
The poet
retains copyright on each poem. If a previously unpublished poem wins and is
published elsewhere later, please give credit to this blog. I do not register
copyright with the US copyright office, but by US law, the copyright belongs to
the writer unless the writer assigns it to someone else.
If the same
poet wins three months in a row (which has not happened thus far), he or she
will be asked not to submit the following two months.
How to Submit Your Poem:
Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”). Put “January Poetry Challenge Submission” in the subject line of your email. Include a brief bio that can be printed with your poem if you are a winner this month. Please put your name and bio UNDER the poem in your email. If the poem has been published before, please put that information UNDER the poem also. NOTE: If you sent your poem to my other email address, or do not use the correct subject line, the poem may get lost and not be considered for publication. Do not submit poems as PDF files.
Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”). Put “January Poetry Challenge Submission” in the subject line of your email. Include a brief bio that can be printed with your poem if you are a winner this month. Please put your name and bio UNDER the poem in your email. If the poem has been published before, please put that information UNDER the poem also. NOTE: If you sent your poem to my other email address, or do not use the correct subject line, the poem may get lost and not be considered for publication. Do not submit poems as PDF files.
Submission of
a poem gives permission for the poem to be posted on the blog if it is a
winner, so be sure that you put your name (exactly as you would like it to
appear if you do win) at the end of
the poem.
Poems may be pasted
into an email or sent as an attachment (Doc, Docx, rich text or plain text; no
pdf files, please). or both. Please do
not indent the poem or center it on the page. It helps if you submit the poem in the format used on the blog
(Title and poem left-justified; title in bold (not all in capital letters);
your name at the bottom of the poem). Also, please do not use multiple spaces
instead of commas in the middle of lines. I have no problem with poets using
that technique (I sometimes do it myself). However I have difficulty getting
the blog to accept and maintain extra spaces.
Poems shorter
than 40 lines are generally preferred but longer poems will be considered.
Happy New
Year. Have a wonderful and poetic new decade.
© Wilda
Morris