October Poetry Challenge - Your Favorite Month

"June is mine" ~ Carolyn Bailey     Photo by Wilda Morris

Here in the Northern Hemisphere, autumn officially started on September 22, a little over a week ago. I love the autumn months. I think October is my favorite month, though May comes in a close second. Each part of the year has its own beauties and its own challenges. What is your favorite time of year? Can you narrow it down to one favorite month?

Last Friday evening at Nature at the Confluence in South Beloit, Illinois, I participated in a reading of poems from a brand new book of nature poems published by the Natural Land Institute (https://www.naturalland.org/). Carolyn Bailey got a lot of appreciative chuckles from the audience as she read her poem about the month of June.

The Abduction of June

I’ve decided to take the month of June.

   The rest of you can have July through May,

   but June is mine.

   June, when birdsong lilts the air

   and the weeds pull easily, when

   wind is a breath and wet grass is warm.

You can parcel the others among you.

   May, for instance, when violets emerge

   and ferns uncurl, is quite a bit like June.

I’ll keep June, when the air is fragrant

   with the scent of peonies and roses.

Some of you might like July, hot enough

   to ripen bananas overnight, and humid enough to curl hair.

I’ll stay in June, hunting butter-colored iris

   wild by the river.

August is up for grabs, when marigolds bloom

   and bats nip mosquitos at twilight.

Back in June, I’ll be watching the robin weave

   her nest on the porch light.

The fall months can go to you who like leaves

   in hot colors…raking them and bagging them.

As for me, I like the green leaves of June

   and the breeze that sways the branches

   without dropping a single leaf.

All of you cozy-by-the-fire people can have

   the winter months, sharing of course,

   with the sledders and the skiers.

   There’s plenty for all. The winter months

   go on and on and on.

I think it’s not too much to ask

   for this one little month, when I’m

   leaving you eleven others.

I’m taking it anyway. It’s mine:

   the reed call of doves, soft air

   like cobwebs on my skin and

   the sun bright enough, finally,

   to bleach the laundry.

~ Carolyn Bailey

This poem is from Natural Voices: Celebrating Nature With Opened Eyes (Rockford, IL: Natural Land Institute, 2018), p. 3.

As Carolyn finished reading the poem, I immediately thought it would make a wonderful prompt poem, and she graciously gave me permission to use it.

The October Challenge:

So what is your favorite month, and how might you turn you love for that month into a poem that others would enjoy reading and/or hearing read? That is the challenge for October.

Your piece may be free verse or formal. If you use a form, please identify the form when you submit your poem.

Title your poem unless it is a form that does not use titles. Single-space and don’t use lines that are overly long (because the blog format doesn’t accommodate long lines). Read previous poems on the blog to see what line lengths can be accommodated.

You may submit a published poem if you retain copyright, but please include publication data. This applies to poems published in books, journals, newspapers, or on the Internet.

The deadline is October 15. Poems submitted after the deadline will not be considered. There is no charge to enter, so there are no monetary rewards; however winners are published on this blog. Please don’t stray too far from “family-friendly” language (some children read this blog). No simultaneous submissions, please. You should know by the end of the month whether or not your poem will be published on this blog. Decision of the judge or judges is final.

The poet retains copyright on each poem. If a previously unpublished poem wins and is published elsewhere later, please give credit to this blog. I do not register copyright with the US copyright office, but by US law, the copyright belongs to the writer unless the writer assigns it to someone else.

If the same poet wins three months in a row (which has not happened thus far), he or she will be asked not to submit the following two months.

How to Submit Your Poem:

Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”). Put “October Poetry Challenge Submission” in the subject line of your email. Include a brief bio that can be printed with your poem if you are a winner this month. Please put your name and bio UNDER the poem in your email.

Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name (exactly as you would like it to appear if you do win) at the end of the poem.

Poems may be pasted into an email or sent as an attachment (no pdf files, please). Please do not indent the poem or center it on the page. It helps if you submit the poem in the format used on the blog (Title and poem left-justified; title in bold (not all in capital letters); your name at the bottom of the poem). Also, please do not use multiple spaces instead of commas in the middle of lines. I have no problem with poets using that technique (I sometimes do it myself). However I have difficulty getting the blog to accept and maintain extra spaces.

Poems shorter than 40 lines are generally preferred but longer poems will be considered.

Bio:

Carolyn Bailey was born in Southern California, but moved to the Midwest when she married a man from Rockford, Illinois. Sixty years of living in the Midwest have taught her to appreciate the gift of its seasons.

© Wilda Morris

January 2016 Poetry Challenge

I belong to two small groups which meet and write after one member of the group reads a poem she has found in a book or on the Internet. The poem and the discussion of it – poetic techniques, interesting wording, well-written lines, and/or ideas – serve as inspiration for each member of the group to write their own poem. The works produced in these groups are usually very different. That is partly because the group members can be inspired by the content or by the style of the poem. But it is also a result of the fact that a poem is often about more than one thing and may have levels of meaning. An object may be a metaphor, or it may be a tool used in the narrative. In addition, each member of the group brings her own experience to the reading and discussion of the poem.

I suspect that Andrea Witzke Slot’s poem, “Regret” would inspire a diverse set of response poems from members of such a group.

Regret

I am sorry I didn’t return your call

or answer your second call, or return

your text or email or Facebook message.

It is hard to hear when I am turning, turning,

pulling down computer-lidded eyes, packing up,

walking away. Did you know I wake in the night

thinking of you—yes, thinking of you—wondering

why I didn’t return your call, or answer your second call

or kept my phone on silent for days and then for weeks

or didn’t type a response while the computer-

lidded eyes remained propped open toothpick style

for so very long? Don’t get me wrong. I love you.

And I have tried to hear you ring and ring and ring,

like phones used to ring when we were children,

when we all jumped up and ran a mad-dashed race toward

the large yellow-belled instrument, wanting to know

who it was and my sister would win and she would

answer breathlessly and sigh as she surrendered

the plastic dogbone to me, and then you and I would talk

for hours as I leaned against a bright orange kitchen wall

with my fingers sweating and wrapped tight around

the heavy receiver, and I miss you, even more now since

the empty message voice turned up to stop your clear rings

in their tracks, in the way I wish it could stop all that is now

turning, turning, pulling down, packing up, walking away.

~ Andrea Witzke Slot

This poem was first published in Segue 12: Fall 2014; used by permission of the author. 

Winner of Fiction International ’s 2015 Short Short Fiction Contest, Andrea Witzke Slot writes fiction, poetry, and essays, and is fascinated most by the ways in which these genres intersect. She is author of the poetry collection To find a new beauty (Gold Wake Press, 2012), and her work has been published widely, including in such places as Bellevue Literary Review, The Adirondack Review, Mid-American Review, Poetry East, Measure, Fiction Southeast, Nimrod, The Chronicle of Higher Education, and in books published by SUNY Press (2013) and Palgrave Macmillan (2014). Her fiction, including her novel The Cartography of Flesh: in the silence of Ella Mendelssohn, and creative nonfiction are now represented by Stephanie Sinclair at Transatlantic Literary Agency. She lives between London and Chicago.

Before reading further, reread the poem and ask yourself what poem it might inspire in you.

I saw multiple ways of responding to Slot’s poem. “Regret,” might inspire someone to write about the break-up of a relationship with a lover, a friend or family member. It might remind a person of a phone call returned or not returned, or about a telephone (maybe a cell phone, maybe a yellow phone that looks like a dog bone, or for someone older, a black phone from that time when virtually all phone were black). Maybe the poem makes you think of what (or who) keeps you awake at night. Perhaps you looked at the title, and said to yourself, “What do I regret?” Did you ponder who among your acquaintances is “turning” or “walking away”? Did you ask yourself from what or whom have you walked away? What makes you “turn,” “pull up,” and “pack up?”

January 2016 Poetry Challenge

The challenge for January is much broader than usual. Read “Regret” silently and aloud. Think about it; discuss it with another poet or group of poets, if you wish. Then sit down and write a poem inspired by it. The ideas above are not the only possibilities. Be creative. Since it is January, you might want to turn it into a New Year’s resolution poem, but that is not required. Below the poem, briefly explain the thought process that took you from Slot’s poem to your own.

Your poem may be formal or free verse. If you use a form, please specify the form. Unless your poem is haiku, it should be titled.

Poems already published in books, or published on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a print periodical, you may submit it if you retain copyright, but please include publication data. Only one poem per poet, please.

The deadline is January 15. Poems submitted after the January 15 deadline will not be considered. There is no charge to enter, so there are no monetary rewards; however winners are published on this blog. Please don’t stray too far from “family-friendly” language. No simultaneous submissions, please. You will know by the end of the month whether or not your poem will be published on this blog. Your poem may be free or formal verse. If you use a form, please specify the form when you submit. Decision of the judge or judges is final.

Copyright on each poem is retained by the poet.

How to Submit Your Poem:

Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”) . Include a brief bio which can be printed with your poem, if you are a winner this month.

Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name (exactly as you would like it to appear if you do win) at the end of the poem. Poems may be pasted into an email or sent as an attachment. Please do not indent the poem or center it on the page. It helps if you submit the poem in the format used on the blog (Title and poem left-justified; title in bold (not all in capital letters); your name at the bottom of the poem). Also, please do not use spaces instead of commas in the middle of lines. I have no problem with poets using that technique; I sometimes do it myself. However I have difficulty getting the blog to accept and maintain extra spaces.

Poems shorter than 40 lines are generally preferred. Also, if lines are too long, they don’t fit in the blog format and have to be split, so you might be wise to use shorter lines.

© Wilda Morris