Christine Swanberg, the judge for
the October Poetry Challenge picked an interesting “praisesong” as third place
winner:
Praisesong In Late October
Praise to
the grasshopper, highjumping over the dung.
Praise to
the grasses, coming up green in the midst of fall.
Praise to
the Douglas firs, vertebrae on the far hill.
Praise to
the crooked fence, bent by vinca’s load.
Praise to
the fallen apples, let us gormandize them
into pies and poems.
into pies and poems.
Praise to
the worms that certify them organic.
Praise to
the stealthy grey tabby, belly low to the ground.
Praise to
the sun, silhouetting the branches of dawn, dusk.
Praise to
the flute and the flautist,
etudes gamboling through the valley.
etudes gamboling through the valley.
Praise to
the shriveled up plums on my tree.
Praise to
the rose bush, all thorns and no flowers.
Praise to
my cane waiting patiently on its four feet.
Praise to
my book and my blanket, my hat and my pillow,
my bottle
of water, my notebook and pen.
And
praise to this body, this mind, this God
who have
brought me to this
present moment,
the out breath, the in.
the out breath, the in.
~ Barbara Ruth
The judge commented that “This incantatory poem has some delectable surprises. It begins with an intriguing, unexpected line. The cane is a nice, unexpected touch.”
For
second place, Swanberg selected the following:
Indian Summer at Holy Hill
and we
stand in the bedazzled warmth
of
late afternoon, when the clans
of
Schwedler and Birch begin to speak
in
reds and yellows. Snatches of words
skim
and swoop, sail over the parapet,
race
for the cobbled courtyard.
Syllables
scuttle across worn paths,
sound
out the gusty wind, bump against stone walls.
Children
chase these tongues of fire, understand
the
foreign alphabet that rustles and crackles beneath
their
feet. An unexpected flare flames this October day.
We
chatter and laugh as a leaf of perfect crimson
lands
on my sweater, a copper fragment snaggles
in my
husband’s hair, and everything, everywhere
steeps
in the burnished fragrance of now.
~ Mary
Jo Balistreri
The judge said of this poem, “The sounds, senses, and
specific details create a tantalizing poem that ends well.”
The first place winner this month is a narrative poem:
The Apple Seller
Days
are like candles
burning
at both ends with dark.
Shortening
sunlight panics
the
apples into ripening.
Those
that don't fall
are
plucked, fill buckets,
are
trafficked from orchard
to
ramshackle road-side shack
where
scrawled sign and cheap scales
make
for a fleeting autumn store.
While
some rake leaves into
mounds
of pastel uselessness,
this
one taps slow-motion seasons
for
their cash: bright red Washington
fruit
traded for crisp green Washington
money,
a plush, juicy Granny Smith
sold
to a bent, age-tarnished Granny Smith.
This
makeshift merchant does her business
from
ancient lawn-chair while noisy children
race
in and out of her legs chasing dogs.
A guy
in a Mercedes drives up, is checking
through
a bushel so fresh, the smell of tree's
still
on their skin. He scowls at the spots,
the
bruises. The first law of apples is that
nothing
ever tastes like it looks.
The
second is that she in rumpled dress,
unwashed
hair, a thick wad of dollar notes
oozing
from her fist, is the law-giver.
~ John Grey
Swanberg explained her preference
for this poem in the following words: “This poem has a lot going for it:
simile, interesting verbs, narrative line, as well as vivid description.”
These poems are the property of the poets who wrote them.
Please do not copy them without permission.
Congratulations to the winners, and thanks to Christine
Swanberg for judging.
Bios:
John Grey is an
Australian poet, US resident. Recently published in New Plains Review,
Stillwater Review and Big Muddy Review with work upcoming in Louisiana Review,
Cape Rock and Spoon River Poetry Review.
Mary Jo Balistreri has two books of
poetry published by Bellowing Ark Press, a chapbook by Tiger's Eye Press. She
is a founder of Grace River Poets, an outreach for schools, churches, and
women's shelters. Please visit her at maryjobalistreripoet.com.
Barbara Ruth grew up in villages and towns with populations between 300
and 6,000 in the Midwest (US.) Her career goal, when she was twelve and
happened upon a book called The Beats, was to move to Greenwich (which
she pronounced with a “w”) Village, wear all black, and drink coffee laced with
heroin while she snapped her fingers at some cat’s poem. She does, on occasion,
wear all black. As an adult she has lived in small towns in Vermont,
Massachusetts, Michigan and California. She currently lives in Silicon Valley,
which strikes her as very unlikely.
Christine Swanberg
has published several books of poetry, including Tonight on This Late Road, Invisible String, Bread
Upon the Waters and Who
Walks Among the Trees with Charity. Her work appears in numerous
anthologies. She has published hundreds of poems in journals such as The
Beloit Poetry Journal, Spoon River Quarterly, Amelia, Chiron, Kansas
Quarterly, Creative Woman, Earth's Daughters, Mid-America Review, Powatan
Review, Midnight Mind, Sow's Ear, Wind, and others.
Swanberg's awards include a featured reading at Seattle’s Frye Museum through Poetswest, first and second place in Peninsula Pulse, first place in Midwest Poetry Review and the Womanspirit Award from Womanspace. She received a merit scholarship to attend the post-graduate seminar at Vermont College, where she worked with the late Lynda Hull. In addition, several of her poems were selected by the Poetry Center of Chicago for a juried readings. She has edited Korone; Confluence: A Legacy of Rock River Valley; Land Connections: Writers of North Central Illinois. She founded the Rock River Poetry Contest and has judged many contests including Pen Women and Illinois Emerging Writers. She has been a teacher for over thirty years.
Swanberg's awards include a featured reading at Seattle’s Frye Museum through Poetswest, first and second place in Peninsula Pulse, first place in Midwest Poetry Review and the Womanspirit Award from Womanspace. She received a merit scholarship to attend the post-graduate seminar at Vermont College, where she worked with the late Lynda Hull. In addition, several of her poems were selected by the Poetry Center of Chicago for a juried readings. She has edited Korone; Confluence: A Legacy of Rock River Valley; Land Connections: Writers of North Central Illinois. She founded the Rock River Poetry Contest and has judged many contests including Pen Women and Illinois Emerging Writers. She has been a teacher for over thirty years.
Check
back on November 1 for a new Poetry Challenge.
© Wilda
Morris