Tuesday, May 1, 2012

May 2012 Poetry Challenge - A Dandelion Poem

Dandelions originated in Eurasia, but over the centuries have spread to many other parts of the world, including North America. I’ll soon be posting a prose piece entitled “Thirteen Things You May Not Know about Dandelions” in my blog, “Walking with Nature.” “Walking with Nature” is published periodically in an on-line newspaper, “The Bolingbrook Patch” (http://bolingbrook.patch.com/). Dandelions are hated by some who want only grass in their lawns, but they are well-loved by children and poets. Perhaps the most famous poem about dandelions is the one written by British poet James Russell Lowell [1819-1891].

I like the way Lowell addresses the flowers themselves. Much of his phraseology is rich: “fringing the dusty road with harmless gold,” for instance. The metaphor of children as “high-hearted buccaneers” who find “an Eldorado in the grass” which surpasses in some way even the gold found by the Spanish is interesting and fun. The poem is enriched by Lowell’s reference to his own childhood, and is given a deeper meaning as he draws a lesson from the value of the “common flower” at the end of the poem.

To the Dandelion

Dear common flower, that grow'st beside the way,
Fringing the dusty road with harmless gold,
First pledge of blithesome May,
Which children pluck, and, full of pride, uphold,
High-hearted buccaneers, o'erjoyed that they
An Eldorado in the grass have found,
Which not the rich earth's ample round
May match in wealth, thou art more dear to me
Than all the prouder summer-blooms may be.

Gold such as thine ne'er drew the Spanish prow
Through the primeval hush of Indian seas,
Nor wrinkled the lean brow
Of age, to rob the lover's heart of ease;
'Tis the Spring's largess, which she scatters now
To rich and poor alike, with lavish hand,
Though most hearts never understand
To take it at God's value, but pass by
The offered wealth with unrewarded eye.

Thou art my tropics and mine Italy;
To look at thee unlocks a warmer clime;
The eyes thou givest me
Are in the heart, and heed not space or time:
Not in mid June the golden-cuirassed bee
Feels a more summer-like warm ravishment
In the white lily's breezy tent,
His fragrant Sybaris, than I, when first
From the dark green thy yellow circles burst.

Then think I of deep shadows on the grass,
Of meadows where in sun the cattle graze,
Where, as the breezes pass,
The gleaming rushes lean a thousand ways,
Of leaves that slumber in a cloudy mass,
Or whiten in the wind, of waters blue
That from the distance sparkle through
Some woodland gap, and of a sky above,
Where one white cloud like a stray lamb doth move.

My childhood's earliest thoughts are linked with thee;
The sight of thee calls back the robin's song,
Who, from the dark old tree
Beside the door, sang clearly all day long,
And I, secure in childish piety,
Listened as if I heard an angel sing
With news from heaven, which he could bring
Fresh every day to my untainted ears
When birds and flowers and I were happy peers.

How like a prodigal doth nature seem,
When thou, for all thy gold, so common art!
Thou teachest me to deem
More sacredly of every human heart,
Since each reflects in joy its scanty gleam
Of heaven, and could some wondrous secret show,
Did we but pay the love we owe,
And with a child's undoubting wisdom look
On all these living pages of God's book.

~ James Russell Lowell

You can find ten dandelion poems (including this one) at
http://fohn.net/dandelion-pictures/poetry.html.

May Challenge: A Dandelion Poem

The challenge for May is to write a dandelion poem. Dandelion poems can concentrate on the beauty of the flower, childhood memories, or on foods or beverages made with the roots, leaves or blossoms of the dandelion. Or you can use the dandelion as a simile or metaphor. Maybe you have a better idea than any of these. Be creative. Your poem may be as formal as Lowell’s or free verse. If you use a form, please specify the form when you submit the poem.

The deadline is May 15. Poems submitted after May 15, 2012, will not be considered.

Copyright on poems is retained by their authors.

Due to formatting restrictions on the blog, all poems should be left justified. As much as I would enjoy a dandelion-shaped poem, I am unable to publish indentations, shaped poems or even extra spaces between words or phrases.

Poems published in books or on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a periodical, you may submit it provided that you retain copyright, but please include publication data.

How to Submit Your Poem

Send your poem to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for [dot]. Be sure provide your e-mail address. Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name, exactly as you would like it to appear if you do win, at the end of the poem.


© 2012 Wilda Morris

Monday, April 23, 2012

April Challenge Winners

Congratulations to the three winners of the April Challenge, selected by poet William Marr.

The first stanza of Eve Lomoro's first place poem seems rather abstract, but she takes us by surprise in the second stanza.

To Argue or Not to Argue

most arguments are
pointless
people don’t listen
they just wait
thinking of words
they will use to
pounce on you
at the first possible moment
pounce on you
at every opportunity
thus it’s best
to never stop talking
you’ll drive them crazy
in the end

cats are different
they can
pounce on you
anytime they wish
and you never say a word
because it would be
pointless

~ Eve Lomoro


Thai Chau expresses a truth that many people don't believe during their teen years. They may not quite believe it until they become parents.

To Argue with Mother

To argue with Mother is
Meaningless
You say “Yes”
She’d say “No”
To win or lose
Is not much difference
‘Cause the argument is always started up
From love
And ends up
Still Being
Love

~ Thai Chau



Anna Yin took the challenge in a different direction, arguing with a famous artist.

Talking to Frida Kahlo

I am not you.
You stand, you sit,
and you untie yourself
on a canvas of pain and truth.
I escape.

Behind surrealistic scenes,
you strike reality;
I flutter fantasy.

“No!” eyebrows straighten,
your silent self rises.

“Yes…”
I manage to forge
a smile,
in every flash of blue.

I call that “hope”,
knowing you name it
“mirage”.

~ Anna Yin


Each of these poets maintains copyright on their own poem.


If you didn't try the April challenge earlier, this may give you inspiration to write your own argument poem or poems.


Watch for the Next Challenge, which will be posted on May 1.


© 2012 Wilda Morris

Sunday, April 1, 2012

Poetry Challenge for April 2012



Photo of the Pacific Ocean taken by Wilda Morris, in September, 2004.

It seems to be in the nature of human beings to argue. Children may argue with friends over who got the biggest cookie or who gets to play with which toy. In some cultures teenagers argue with parents about how late they can stay out, and where and with whom. Co-workers may argue over work assignments. Friendships,love affairs, and marriages are sometimes broken up by arguments. One of the best pieces of advice I was ever give is that it is fine to disagree, but try to disagree agreeably.

Though you may have argued with other people, have you ever argued with the ocean? Or with sparrows? William Marr is writing a whole series of poems about pointless arguments—not arguments with human beings, but with other elements of nature and with inanimate objects. These poems have powerful images as well as a rye humor. Marr agreed to let me print two of his argument poems for the April challenge.

In case you are not familiar with Marr, I’d like to introduce you to this creative and original poet and artist. Marr was born in Taiwan and has published a total of seventeen books of poetry in Chinese, two books of essays and several books of translations in Taiwan, Hong Kong, and China. His two books of poetry in English, Autumn Window (1st ed. 1995, 2nd ed. 1996, Arbor Hill Press, Chicago) and Between Heaven and Earth (2010, PublishAmerica, Baltimore) are distributed at www.amazon.com. His poems are included in over one hundred anthologies, ranging from literary textbooks to special collections, and have been translated into more than ten languages.

Most of Marr's poems are short(many of them considerably shorter than those below). Many are humorous, and some have such surprising endings they almost take your breath away. Marr is a past president of the Illinois State Poetry Society, and a member of the Poets Club of Chicago and the Kentucky State Poetry Society. He has edited and published several anthologies of Chinese and Taiwanese modern poetry, and also pursues other artistic interests including painting and sculpting. He has held several solo as well as group exhibits in the Chicago area, Beijing, and on the Internet. His Website at http://wmarr9.home.comcast.net/~wmarr9/bmz.htm contains images of his art work as well as selections from his poetry books. A scientist by profession, he has lived and worked in the Chicago area since 1970.

As they say on television and radio, in the interests of fair disclosure, William Marr is also a friend. I have the privilege of being in two poetry groups with him, groups in which we critique each other's poems.


Here are two of Marr’s “argument poems”:


TO ARGUE WITH THE OCEAN

to argue with the ocean is pointless
you have neither the unlimited supply of saliva
nor the enormous lung capacity

the best thing you can do
is to lie down and become a beach
entice him to rush passionately toward you
over and over again
desperately trying to kiss you
embrace you
possess you

while you just lie there with a mischievous smile
toying with him
wasting him
exhausting him
watching him let out a long sigh
and retreat

convinced and speechless

~ William Marr


NOTE: In the poem above, some lines should be indented, but blogspot does not allow indentations. Marr gave me permission to print the poem with all lines left justified.


TO ARGUE WITH SPARROWS

to argue with sparrows in the sun
is of course pointless
they chitter and chatter
flutter and twitter
getting more excited and louder every second
there's simply no chance for you to open your mouth

only after the sun too becomes bored and impatient
and darkens its face
do they stop

at this moment
all you have to do is
lightly stamp your feet on the ground
whoosh----
they'll all be gone
without leaving
the slightest trace

~ William Marr

William Marr retains copyright to these poems.


April Poetry Challenge

The challenge for April is to write an argument poem. Your poem may follow Marr’s pattern, and be about the pointlessness of arguing with an animal, bird, mountain, or whatever. Or maybe you would prefer writing about are argument with your parent, child, spouse, boss, or other person. Or maybe, like some of the Hebrew prophets, you want to argue with God. Be creative.

You may write a formal poem or free verse. If formal, please specify the form. The deadline is April 15. Poems submitted after the April 15 deadline will not be considered.

Copyright on poems is retained by their authors.

Due to formatting restrictions on the blog, all poems should be left justified. As much as I would enjoy a sparrow-shaped poem, I am unable to publish indentations, shaped poems or even extra spaces between words or phrases.

Poems published in books or on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a periodical, you may submit it if you retain copyright, but please include publication data.

How to Submit Your Poem

Send your poem to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for [dot]. Be sure provide your e-mail address. Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name, exactly as you would like it to appear if you do win, at the end of the poem.


© 2012 Wilda Morris

Sunday, March 18, 2012

March Challenge Winner

The challenge for this month was to write a poem somehow inspired by a photograph I took in Mexico. The photo took the winning poet's imagination to the farmer's market in Lawrence,Kansas.

Congratulations to Sondy Sloan.

Farmers’ Market

No matter how tight the month,
I snap my clutch closed
around 40 bucks, squirreled away for Saturdays:
March till November;
sun or spit.

At dawn, I board the empty bus
to the center of my small city,
two totes rolled up under my arm.
I covet the 6 am sunrise as if it
were my own wee weekend hour.

Hopping off at New Hampshire
I mosey over to Massachusetts Street.
Two blocks-o-parking-lots
feature Flora and Fauna:

chicks and chorizo;
carrots and catfish;
begonias and buffalo;
emu and eggs.

Pigeons and peppers;
tomatoes and tulips;
potatoes and pumpkins;
feta and figs.

Stalling at Saturday morning stands—
eyes widen, nose inhales the newest crops;
I feel the fresh of Farmer’s Market…
I taste the week awaken,
on Saturday morn.

~ Sondy Sloan

Copyright to this poem remains with the author.

Did this poem awaken your hunger for some of the foods mentioned, or hungry for the sights provided by a farmer's market?

The next challenge will be posted on April 1, the first day of National Poetry Month. It might be your month to be the winner!

© 2012 Wilda Morris

Thursday, March 1, 2012

March Poetry Challenge




Instead of providing poems as inspirations for the March Poetry Challenge, I'm providing a photograph I took some time ago. You are invited to let the photo take you where it will, and write the poem it inspires. Use your creativity!


The March Poetry Challenge

Read these directions carefully! The poetry challenge for March is to write a poem inspired by the photo above. Your poem may be inspired by the entire photo or some part or aspect of the photo. You may write a formal poem or free verse. If formal, please specify the form. The deadline is March 15. Poems submitted after the March 15 deadline will not be considered.

Copyright on poems is retained by their authors.

Due to formatting restrictions on the blog, all poems should be left justified. As much as I would enjoy a fruit-shaped poem, I am unable to publish indentations, shaped poems or even extra spaces between words or phrases.

Poems published in books or on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a periodical, you may submit it if you retain copyright, but please include publication data.

How to Submit Your Poem

Send your poem to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for [dot]. Be sure provide your e-mail address. Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name, exactly as you would like it to appear if you do win, at the end of the poem.


© 2012 Wilda Morris

Monday, February 27, 2012

February Challenge Winners - Off-Beat Love Poems


Barbara Eaton won second place in the February Poetry Challenge. Her "love poem" has the twist that it recognizes that sometimes the loving thing to do is to let someone go. In another twist, Eaton has borrowed the first two lines of William Shakespeare's 30th sonnet, and taken them in another direction. Here is her poem

Sonnet 30

When to the sessions of sweet silent thought
I summon up remembrance of things past,

the things I’ve tried to do, that came to naught,
the things retained, that were not meant to last,

I think on thee, dear friend, my dearest love,
my one misdeed, my thirty-year mistake,
my many misperceptions, and, my love,
my trials of your patience. For my sake,

my dearest sweet, forget you knew me when
all innocence, I thought our love was true.
Forget I promised to be friends, and then
forget me, even if I plead with you

one more appeal, for I already know
the verdict is that I should let you go.

~ Barbara Eaton


You can read Shakespeare's 30th sonnet at http://www.famouspoetsandpoems.com/poets/william_shakespeare/poems/1698.


Here is the winning poem by Cece Box:

It’s not exactly cufflinks, but to me, you’re more beautiful wearing poetry

If I did not have you to love
How meaningless would be
This Valentine
Receiving-and-the-giving-of.

How flavorless and without flair
Would be this life, these lives,
The hour-by-hour-living-of.

If I did not have you to love
And the by-you-being-loved-in-turn
Sure feeling-of
My poet’s license would have been
By now assuredly revoked
The cause for which
This poem has been revealing of.

~ Cece Box

Box's use of language is playful and musical. The title is clever; it takes a little thought to see how it relates to the poem. The hyphenated phrases are fun. She turns grammar on its ear, ending four lines with with that little preposition, "of," but in this poem it works well.

Having read the poem, you probably won't be surprised to learn that Box is a musician. She plays the piano and sings. She writes music and lyrics, and records them. You can read more about Box at http://www.cdbaby.com/cd/cecebox.

Congratulations to both winners! The poets published on this blog retain copyright to their own poems.

The next poetry challenge will be posted on March 1.

© 2012

Wednesday, February 1, 2012

February 2012 Challenge - A Love Poem


Here in the United States, Valentine’s Day is coming soon, so thoughts turn to love. My Aunt Ersel and Uncle Laird got married on Valentine’s Day, which always seemed very romantic to me. They had a wonderfully romantic marriage, which lasted the rest of their lives.

In most cultures of the world, poems of love are about as old as poetry itself. You can still read love poetry from ancient Greece, ancient Egypt, ancient India, etc., etc. etc. Poetry seems to be a uniquely appropriate way to convey love for another person.

Elizabeth Barrett Browning expressed her love for Robert Browning in a series of sonnets, published later as Sonnets from the Portuguese. The 43rd sonnet is a special favorite of many people.


Sonnet 43

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, --- I love thee with the breath,
Smiles, tears, of all my life! --- and, if God choose,
I shall but love thee better after death.

~ Elizabeth Barrett Browning (1806-1861)

Note that this sonnet is not just a discussion of love; it is addressed to the beloved. That is true, also of William Shakespeare’s Sonnet 18, another love poem.


Sonnet 18

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.

~ William Shakespeare


Love poems do not have to begin, as do these two sonnets, with questions. And of course, love poems do not have to be sonnets, nor do they have to use the elevated language of Browning and Shakespeare. So many love poems have been written over the centuries that it is not easy to come up with a creative approach that has not already been used.

A contemporary poet, Marvin Bell, found a very unique and attention-getting way to begin a long poem to his wife. “To Dorothy” begins

You are not beautiful, exactly.
You are beautiful, inexactly.

"To Dorothy," from Nightworks: Poems 1962-2000, published by Copper Canyon Press. Copyright © 2000 by Marvin Bell. You can also find the poem at http://www.poets.org/viewmedia.php/prmMID/20932

When I decided to write a love poem to my husband, I decided to work off of a metaphor which I had not seen used for a relationship. Here is my love poem:

Love Letter
For Ed

Maybe you think I keep you
like I keep my old shoes
because I can't bear
to break in new ones
but that's not the reason.
After all these years
you’re still a good fit,
still polished to a shine
in my eyes.
I want to be laced up with you
as long as I live.

~ Wilda Morris

(First published in Grab-a-Nickel, Fall/Winter 2004-2005, p. 12).

Yep, the picture at the top is from our wedding, August 31, 1963.


The February Poetry Challenge

Read these directions carefully! The poetry challenge for February is to write a love letter in poetic form: a poem addressed to someone you love; a poem which expresses your love in a unique way. You may write a formal poem or free verse. If formal, please specify the form. The deadline is February 15. Poems submitted after the February 15 deadline will not be considered. Since this is 2012, do not use antique language (such as “thee” and “thou”) unless it is absolutely required by the poem itself.

Copyright on poems is retained by their authors.

Due to formatting restrictions on the blog, all poems should be left justified. As much as I would enjoy a heart-shaped poem, I am unable to publish indentations, shaped poems or even extra spaces between words or phrases.

Poems published in books or on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a periodical, you may submit it if you retain copyright, but please include publication data.

How to Submit Your Poem:

Send your poem to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for [dot]. Be sure provide your e-mail address. Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name, exactly as you would like it to appear if you do win, at the end of the poem.


© 2012 Wilda Morris