Johnson’s poem, “Sunsets,” almost makes me feel I’m about to tip into either
waves or a sand trap. The sun is sinking on the golf course, The Titanic
is sinking in the movie, Caroline’s mother is sinking deeper into dementia, and
her father is floundering due to his health issues. The poet is trying to keep
her head above water. The narrator of the poem and her parents are intertwined with the characters and plot of the movie.
The sun has not set on the golf
We are watching The Titanic at home.
Kate Winslet has almost thrown herself
into the Atlantic’s icy waters. I like Kate Winslet.
She is pretty and a mother. I am tall and I am not a mother.
My dad reaches over his wheelchair, fumbling
for the remote. “What are you doing, Dad?”
He says he’s looking for his glasses, another
thing for me “to bitch about.”
Mom thinks Kate Winslet is her
mother. Mom thinks
this is not her house. Mom is happy in her delirium.
“Are you OK, Bob?” she asks. “I love you.”
I give my father his electric
toothbrush and assist
him to the toilet. I cook them frozen pizza and clean
after them. I wonder if they will be in a nursing home.
“I’ll be in there someday,” my dad says.
The Titanic is sinking. Leonardo DiCaprio is trying to save
Kate Winslet. I like Leonardo DiCaprio. At this moment,
I do not like my father. At this moment, I hope
things will change.
Leonardo DiCaprio’s lips are
turning blue. My mother’s
arms are scaly and dry. I put lotion on her arms.
I put lotion that smells like coffee on my father’s legs,
bright with red sores. I tuck them into bed
and spread the fat green comforter over them.
Mom leans up with her dentureless mouth and smiles
a wide beam. “Thank you for being so nice,” she says.
I kiss them on the cheek. My father says good-bye
and looks up with a blank stare, grabbing the comforter.
I go out to my black Honda. The sun is setting on the golf course.
All the golfers are finished, and there is only the red flag
blowing on the 18th hole, like a ghost.
~ Caroline Johnson
published in The Quotable and nominated for a Pushcart Prize; also
published in The Caregiver (Holy Cow! Press, 2018). [https://www.amazon.com/Caregiver-Poems-Caroline-Johnson/dp/0998601039/ref=sr_1_1?dchild=1&keywords=Caroline+johnson+the+caregiver&qid=1625107720&s=books&sr=1-1.]
Cindy Guentherman recalls her childhood love of the movie, Peter Pan, then takes the reader to an unexpected place.
When I was a kid
we didn’t have smart phones
and tablets to do games on.
We played outside
with neighbor kids and
made things up.
When I was nine,
after our folks had packed
us off to bed, I would snag
the youngest sister and dress
her up in a first communion gown.
Then I would wake the other kids
and tell them I was Peter Pan and
she was Tinker Bell.
I don’t think anyone believed it
I got a bit of teasing in later years.
And while I have never met a
certified fairy, I have had my doubts
about the true identity of dragonflies.
Of course I got old.
But about never growing up,
I think sticking a poet mind
into a grown-up
comes pretty darn close.
~ By Cindy Guentherman
Some poems have much more subtle references to movies.
No retirement book
ever told me,
in the morning
and begin to
going to feel
in need of
an oil change.
~ Jane Seskin
Copyright ©2019 by Jane Seskin, originally published in OLDER, WISER, SHORTER: An Emotional Road Trip to Membership in the Senior Class. [https://www.amazon.com/Older-Wiser-Shorter-Emotional-Membership/dp/057844724X/ref=sr_1_1?dchild=1&keywords=Jane+Seskin&qid=1625107860&s=books&sr=1-1]
It didn’t take me long to picture the tin man from The Wizard of Oz, and to identify with the poet!
Poets whose poems are used on this blog retain copyright to their work.
On-line Examples of poems based on or inspired by movies:
--The Poetry Foundation has a page discussing the influence of movies on poetry, along with numerous links to movie-inspired poems, at https://www.poetryfoundation.org/collections/137077/poetry-goes-to-the-movies.
--The Interesting Literature website has links to what it considers “the ten best poems about movies,” at https://interestingliterature.com/2019/09/10-of-the-best-poems-about-movies/.
--Eleven examples of film ekphrasis were published by Verse at https://verse.press/playlist/film-ekphrasis-poems-on-film-1313964691947110614.
--Two poems based on movies are included in an essay by Diane DeCillis at https://www.detworkingwriters.org/film-inspiration-poetry/.
There are also movies based on poems. You can find a long list of such movies at https://en.wikipedia.org/wiki/List_of_films_based_on_poems. Ekphrasis works in both directions!
The July Challenge:
Please follow the guidelines carefully.
The challenge for this month is a poem about a movie, or in which a movie plays a significant role. The movie may be the main character in the poem, or it may appear subtly. Your poem may be serious or humorous. The poem may be metaphoric, or literal. If the name of the movie does not appear in the poem, please make a note of it in an epigram or make a note of it under the poem, in case the judge doesn't recognize it. Note that the blog format does not accommodate long lines; if they are used, they have to be broken in two, with the second part indented (as in the poem “Lilith,” one of the May 2018 winners), or the post has to use small print.
1-Title your poem unless it is in a form that discourages titles.
3-Put your name and a brief third-person bio under your poem.
4-Please keep the poem on the left margin (standard 1” margin). Do not put any part of your submission on a colored background. Do not use a fancy font and do not use a header or footer.
5-You may submit a published poem if you retain copyright, but please include publication data. This applies to poems published in books, journals, newspapers, or on the Internet. Poems already used on this blog are not eligible to win, but the poets may submit a different poem, unless the poet has been a winner the last three months.
6-The deadline is July 15. Poems submitted after the deadline will not be considered. There is no charge to enter, so there are no monetary rewards; however, winners are published on this blog. Please don’t stray too far from “family-friendly” language (some children and teens read this blog).
7- No simultaneous submissions, please. You should know by the end of the month whether or not your poem will be published.
The poet retains copyright on each poem. If a previously unpublished poem wins and is published elsewhere later, please give credit to this blog. I do not register copyright with the US copyright office, but by US law, the copyright belongs to the writer unless the writer assigns it to someone else. Decision of the judge or judges is final.
If the same poet wins three months in a row (which has not happened thus far), he or she will be asked not to submit the following two months.
How to Submit Your Poem:
1-Send one poem only to wildamorris4[at]gmail[dot]com (substitute the @ sign for “at” and a . for “dot”).
2-Put “July Poetry Challenge Submission” FOLLOWED BY YOUR NAME in the subject line of your email. Include a brief bio that can be printed with your poem if you are a winner this month.
3-Please put your name and bio UNDER THE POEM in your email and/or attachment. If the poem has been published before, please put that information UNDER the poem also.
Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name (exactly as you would like it to appear if you do win) at the end of the poem.
Poems may be pasted into an email or sent as an attachment (Doc, Docx, rich text or plain text; no pdf files, please). or both. Please do not indent the poem or center it on the page. It helps if you submit the poem in the format used on the blog (Title and poem left-justified; title in bold (not all capital letters); your name at the bottom of the poem). Also, please do not use multiple spaces instead of commas in the middle of lines. I have no problem with poets using that technique (I sometimes do it myself). However, I have difficulty getting the blog to accept and maintain extra spaces.
Poems shorter than 40 lines are generally preferred but longer poems will be considered.
Cindy Guentherman has been
writing poetry since she was in kindergarten. She has two books of poetry and
is on the board of the Rockford Writers' Guild.
Caroline Johnson has two illustrated poetry chapbooks, Where the Street Ends and My Mother’s Artwork, and a full-length collection, The Caregiver (Holy Cow! Press, 2018), inspired by years of family caregiving. In 2012 she won the Chicago Tribune’s Printers Row Poetry Contest, and was nominated for both the Pushcart Prize and Best of the Net. Her poetry has appeared on Garrison Keillor’s Writers Almanac, and she leads workshops for veterans and other poets in the Chicago area. She is president of Poets & Patrons of Chicago. Visit her at www.caroline-johnson.com.
Jane Seskin (www.olderwisershorter.com) is a psychotherapist and author of numerous books, essays and poems in national magazines and journals. Her most recent collection of poetry is OLDER, WISER, SHORTER: An Emotional Road Trip to Membership in the Senior Class.
© Wilda Morris