Showing posts with label Christy Schwan. Show all posts
Showing posts with label Christy Schwan. Show all posts

Saturday, July 29, 2023

July 2023 Winning Poems: Family

 

The matriarch and patriarch of my family: Myron David Webber and Dorinda Strange Webber

Mary Beth Bretzlauf, President of the Illinois State Poetry Society, judged the July Poetry Challenge. She selected the following poem as the first-place winner, saying, “I loved the theme of crafting with their hands - the weaving of memories and a legacy of connections. Stepping up to do what mothers do - keep the connections alive.”

 

A Matriarch’s Shawl

What holds a family together after
the mother, the matriarch
grabs heaven’s golden thread?

Who will weave the lacy shawl
of memory, of legacy
large enough to connect all?

Where do you turn
as the bobbin unspools
seams come undone?

How do you care for each other
without a mother
to knit all together?

Why fuss and fret?
Why linger as it unravels?
Why does it matter?

When do you know
whether to patch
or toss the remnants? 

You pick up the needles
follow her lifelong pattern
one stitch at a time.

~ Christy Schwan

 

Bretzlauf said “the poetry of family [is] well illustrated” in the prose poem, to which she awarded second-place:

Genealogy of a Poet

My mother sang sweet lullabies to me as she cradled me on her lap in a mahogany rocker. Later, I’d watch her orchestrate a meal. And she wrote poetry with the pictures she drew in her cookbook.

Father’s poetry were equations, a lonely beauty of the universe reaching deep into the recesses of mind touching the physicist-to-be in me. He taught me stern compassion, and the poetic license of a hug, a kiss on the cheek.

My younger sister is a fine cook, and a poem herself. The lines of her life breaking with as much joy as pain. I’d tease her unmercifully when she was eight, but always loved her. Now she’s layered like an exquisite poem with deep meaning & enigma.

My older sister was shear music, the story of her life still singing in my heart even though she’s been gone for years. Her voice over the phone, full of complex harmonies, and that Latina sparkle.

But my twin brothers, a Christmas wish when I was ten—whose sustained lyrics I can only imagine—strum the heavenlies with the God of all the children of miscarriage. I want to hear their song.

 ~John C. Mannone

Genealogy of a Poet” first appeared in Credo Espoir, Issue 7, 2021.

In an aside not sent to the Judge, Mannone shared the backstory for his poem. When he was ten years old, he told his mother that he wanted a brother for Christmas. Many years later, his mother told him that he had tried to make his wish come true, but had miscarried twin boys.  

 

The third-place poem is, as Bretzlauf says, another story of a mother gone and of the circling of family stepping up to never fully erase the void, but smudge the edges of it.”


November 5, 1915

Cooling herself after baking bread
on the wood stove late at night,
my grandmother was found
dead on the stoop.
Mother was nine.

Days before,
walking together on the short cut.
Grandmother stopped
to make a cairn of rocks.
“A memorial,” she said.

Children on the homestead
were expected to be strong,
to understand death
is a necessary part of living.

I asked Mother once
if she had been very sad,
lost and lonely.
She said, “No,”
she was cared for,
being the last of eight.
Life on the farm went on.

All her long life,
she felt for little beings,
helpless people, hurt animals.
And she collected rocks,
which, easily found, last forever.

 ~ Peggy Trojan

From All That Matters 2018

 

Each poet retains copyright on his or her own poem.

 

Honorable Mentions:

Bretzlauf selected three poems for honorable mentions. Here is a list, along with Bretzlauf’s comments on the poems:

*Sudden Turn by Michael Staeger – “a sad story of a child's death - the pantoum form was perfect for this story.”

*Life Lessons by Seth Brown – “a great story of family and gullibility.”

*Pieced Quilts by Mary Marie Dixon – “like poems, quilts tell the story of those who came before us and shared their love through the ages in fabrics sewn together.”

 

Bios:

Mary Beth Bretzlauf is a poet and fiction writer who lives in northeaster Illinois. She has just been elected president of the Illinois State Poetry Society. She serves on the board of the East On Central Association, and is an active member of Poets & Patrons, Zion Writers’ Guild, Writers in Progress, and Highland Park Poetry’s Live Events Team.

Seth Brown is a poet and humor writer and sushi enjoyer. His poetry has appeared in publications such as Apt, Light, The Washington Post, and most frequently in his humor column in the Berkshire Eagle. He writes a free wordplay-filled semi-monthly newsletter at  Tinyletter.com/RisingPun.

Mary Marie Dixon, a visual artist and poet, whose focus on women’s and mystic spirituality centered in Great Plains’ nature, has published in various venues and exhibited in galleries. She explores the creative intersection of the visual and poetic. She loves stars, sunrises, and sunsets on the open plains!

John C. Mannone has poems in Anthology of Appalachian Writers: Barbara Kingsolver, Vol. XV; Red Branch Review; Windhover; North Dakota Quarterly; Poetry South; Baltimore Review; and others. He won the Impressions of Appalachia Creative Arts Contest in poetry (2020), the Carol Oen Memorial Fiction Prize (2020), and the Joy Margrave Award (2015, 2017) for creative nonfiction. He was awarded a Jean Ritchie Fellowship (2017) in Appalachian literature and served as the celebrity judge for the National Federation of State Poetry Societies (2018). His full-length collections are Disabled Monsters (Linnet’s Wings Press, 2015), Flux Lines: The Intersection of Science, Love, and Poetry (Linnet’s Wings Press, 2022), Sacred Flute (Iris Press, 2023), and Song of the Mountains (Middle Creek Publishing, 2023). He edits poetry for Abyss & Apex and other journals. He’s an Assistant Professor of Physics and Chemistry (and an invited Professor of Creative Writing: Poetry) at Alice Lloyd College.

Christy Schwan is a native Hoosier author/poet living in Wisconsin. She's a rock hound, wild berry picker, wildflower seeker, astronomy studier, and quiet sports lover of kayaking, canoeing, snowshoeing and loon spotting. Her work has been published in Chicken Soup for the Soul, Museletter, Ariel Anthology, 8142 Review, 2022 and 2023 Wisconsin Poet's Calendars, and Bramble Lit Mag.

Michael Staeger was first exposed to writing poetry through the University of Wisconsin-Milwaukee outreach, Summer of the Writer Program poetry workshop taught by Marilyn Taylor. He lives in Waterford, Wisconsin with his wife Karen and is a member of the Author’s Echo Writer’s group that meets in Burlington, Wisconsin.

Peggy Trojan's new release, a collection about her father, titled PA, won second in the Wisconsin Fellowship of Poets Chapbook contest in 2022. It won Honorable Mention for the Northeastern Minnesota Book Award for 2022.  Her previous release, River, won second in the Wisconsin Fellowship of Poets Chapbook contest in 2021. It also won an award of Outstanding Achievement from the Wisconsin Library Association. She is the author of two full collections and five chapbooks. Her books are available on Amazon. 

 

 

© Wilda Morris

 

 

 

Sunday, October 30, 2022

October 2022 Winner - River Poem

River Scene (1840-18600

Théodore Rousseau

National Gallery of Art, London

All over the world, there are people who love rivers, especially those who live close to river banks. Some people like to fish, some to boat. Some find peace sitting on the banks of a river, just watching the water flow by. Some sit and contemplate the statement by Heraclitus that you can't step into the same river twice. Others like to sketch or paint the river scene. Some people have had the misfortune of having their homes flooded by a raging river. Some love to watch and listen to a river running over rocks or falling down a cliff, or delight in the way a major river becomes a delta as it approaches an ocean shore. Some of the variety of responses to rivers showed up in the submissions this month.

Congratulations to Preeth Ganapathy, winner of the October Poetry Challenge, and to the two poets, Christy Schwan and Hemminger who were awarded honorable mentions.

Here is the winning river poem:

Boat Safari

The long endless road—
unpeopled, holds the weight of the sky
and the scent of the mountains.

Ponds emerge unexpectedly on the sides,
green and brown,
turn blue, tinged with the colour of dawn.

The temple glows
in the calm light of its reflection
on the backwaters.

The clouds smoke up in the mist,
the music of crickets
ring through half-formed dreams.

The gossip of ten ashy woodswallows
settles on the wingspan of silence.
 
The lake is sprinkled
with barren leafless trees—
their tips housing families
of Indian cormorants
that spread out their black feathers
under a new-born sun.

The conversations of a lonely hill mynah
echo through the islands,
the jungle,
the water,
the wind.

The ripples peter out
and calm settles on the waters
like mist thawing
in tune with the slow-paced music
of the crocodile bark tree.

~ Preeth Ganapathy

This poem has been previously published at The Tiger Moth Review. Preeth Ganapathy retains copyright on her poem.

The judge, Marcyn Del Clements rightly guessed that this poem came from India. She commented, “There are nice nature descriptions in this one, which led us upriver, (perhaps in India? or a nearby Asian country?), gave the impression of the feel of the tour, the dreamy quality.”


Marcyn Del Clements’s comments on the Honorable Mention Poems:

"The Yellow Banks" by Thomas Hemminger:  It is sweet and simple, concrete and flowing.  An easy dialogue that came from the heart.  The rhymes contributed to its musicality.

"Kayak Contemplation” by Christy Schwan:  Here is another slow river piece, allowing time for meandering thoughts.  I like the feel of the river pulling the little boat down, without having to paddle, or struggle against the forces of wind and tide.  You are there, in the poem, so still that a dragonfly could take you as a resting pad.


BIOS:

Ten years now a widow, Marcyn Del Clements is grateful both her daughters are living fulfilling lives on their own.  She rattles around in a big house, tending some fifty koi and goldfish in her swimming pool converted to a swimming pond.  Since Marcy never conquered iambic pentameter, she found happiness writing Japanese short forms.  Overjoyed lately, when she discovered Haibun and Tanka Tales, she thinks she’s found her métier.

Preeth Ganapathy is a software engineer turned civil servant from Bengaluru, India. Her works have been published in several magazines such as The Tiger Moth Review, The Ekphrastic Review, The Sunlight Press, Atlas+Alice, Ink, Sweat and Tears, Mothers Always Write, and elsewhere. Her microchap 'A Single Moment'- has been published by Origami Poems Project.

Thomas Hemminger is an elementary music teacher living in Dallas, Texas with his wife and son. As a music teacher, Thomas writes many songs and poems for his classroom but none of his work is yet published. His personal and professional hero is Mr. Fred Rogers, the creator and host of Mr. Rogers Neighborhood. Being the son of an English Language Arts teacher, Thomas grew up surrounded by prose and poetry. Furthermore, his mother’s love of verse, and her own talented pen, impressed a deep love for the art within him. Away from the classroom, Thomas enjoys spending time with his family going hiking, camping, and fishing when the North Texas weather permits.

Christy Schwan is a native Hoosier author/poet living in Wisconsin. She's a rock hound, wild berry picker, wildflower seeker, astronomy studier, and quiet sports lover of kayaking, canoeing, snowshoeing and loon spotting. Her work has been published in Chicken Soup for the Soul, Museletter, Ariel Anthology, 8142 Review, 2022 and 2023 Wisconsin Poet's Calendars, and Bramble Lit Mag.

Thank you to Marcyn Del Clements for judging the poems.

Come back in a couple of days for the November Challenge.

 

 

© Wilda Morris