Showing posts with label Naomi Shihab Nye. Show all posts
Showing posts with label Naomi Shihab Nye. Show all posts

Friday, April 3, 2015

April 2015 Poetry Challenge



Emily Dickinson wrote a number of poems in which the bee appears. Here is one:

LVI

The PEDIGREE of honey
Does not concern the bee;
A clover, any time, to him
Is aristocracy.

~ Emily Dickinson


Better known, perhaps is this one:

XCVII

To make a prairie it takes a clover and one bee, —
One clover, and a bee,
And revery.
The revery alone will do
If bees are few.

~ Emily Dickinson


There are many contemporary poems about bees. Bees buzz through Naomi Shihab Nye’s book of “poems and paragraphs,” Honeybee. Carol Ann Duffy, the poet laureate of Great Britain, has written a whole book of bee-related poems entitled The Bees. I will provide a list of bee poems at the bottom of the page – not a complete list, but a fairly long one.

Why so many bee poems? Bees, especially honeybees, are fascinating, productive, scary, and vital to the wellbeing of the planet, including human beings. And they produce honey.

Here is a poem that combines some scientific knowledge with the poet’s feelings and thoughts.


Sweetness

God gave the honeybee six weeks
and so
she flies
five hundred miles                                                                                        

in short refrains
of alleluias
to windy, white clover fields
to pink and proper rose gardens
gathering nectar in that careful needle
taking no time for self-pity, though
her life’s work, together
with that of eleven sisters
was the teaspoon of honey
I just stirred into my tea.

Sometimes she stops to walk
on my sunflowers,
her sturdy legs grow heavy
as she fills her pollen-baskets
with food for the bees back home,
but I like to think her stroll
on those upturned yellow faces
is more for the joy of making me wonder
what I know of happiness.

~ Jeanie Tomasko


From Tricks of Light (A Parallel Press Chapbook; Madison, WI: Parallel Press, University of Wisconsin-Madison Libraries, 2011), p. 17. This poem will appear in If Bees Are Few: A Hive of Bee Poems, a new anthology edited by James Lenfestey, soon to be published by the University of Minnesota Press. Tomasko owns copyright to this poem. Please do not copy and distribute it without her permission.

Jeanie Tomasko is the author of Tricks of Light (Parallel Press), Sharp as Want (Little Eagle Press), a poetry / artworks collaboration with Sharon Auberle, an e-chapbook, If I Confess Before 5:00 (Right Hand Pointing) and most recently, (Prologue), the recipient of an Editor’s Choice award from Concrete Wolf Chapbook Series . Her work has been published in The Midwest Quarterly, Right Hand Pointing, Rattle, Wisconsin People and Ideas and Birdsthumb. She works as a home health nurse in Madison, WI and can be found online at jeanietomasko.com. 


April Poetry Challenge:

The poetry challenge for March, as I’m sure you have figured out by now, is to write a poem about bees. Your submission can be a memory poem, a lament for the decline of the bee population, a persona poem in the voice of a bee—use your creativity! The bee or bees in your poem can be any kind of bee. They can be literal or metaphoric. It can be free verse or formal. If formal, please mention the form in your email.

Submit only one poem. The deadline is April 17. Poems submitted after the April 17 deadline will not be considered. There is no charge to enter, so there are no monetary rewards; however winners are published on this blog. Please don’t stray far from “family-friendly” language. No simultaneous submissions, please. You will know before the month is over whether or not your poem will be published on this blog.

Copyright on each poem is retained by the poet.

Poems published in books or on the Internet (including Facebook and other on-line social networks) are not eligible. If your poem has been published in a print periodical, you may submit it if you retain copyright, but please include publication data.

How to Submit Your Poem:

Send one poem only to wildamorris[at]ameritech[dot]net (substitute the @ sign for “at” and a . for “dot”) . Include a brief bio which can be printed with your poem, if you are a winner this month.

Submission of a poem gives permission for the poem to be posted on the blog if it is a winner, so be sure that you put your name (exactly as you would like it to appear if you do win) at the end of the poem. Poems may be pasted into an email or sent as an attachment. Please do not indent the poem or center it on the page. It helps if you submit the poem in the format used on the blog (Title and poem left-justified; title in bold (not all in capital letters); your name at the bottom of the poem). Also, please do not use spaces instead of commas in the middle of lines. I have no problem with poets using that technique; I sometimes do it myself. However I have difficulty getting the blog to accept and maintain extra spaces.

Poems shorter than 30 lines are generally preferred. Also, if lines are too long, they don’t fit in the blog format and have to be split, so you might be wise to use shorter lines.


More poems in which bees play a significant role:

Leslie Alexis, “The Flower and the Bee,” http://www.poemhunter.com/poem/the-flower-and-the-bee/comments.asp.

A. R. Ammons, “Transfer,” Collected Poems 1951-1971 (NY: W. W. Norton & Company, 1972), p. 215.



John Ciardi, “Bees and Morning Glories,” The Collected Poems of John Ciardi. © The University of Arkansas Press, 1997.


Emily Dickinson, XCVII (“To make a prairie”), LVIII (“The bee is not afraid of me”), LIV (“The murmur of a bee”), CII (“Could I but ride. . .”),  LVI (“The pedigree of honey”), XXVII (“Did the harebell loose. . . .”), XXIV (“The nearest dream recedes”), XCVIII (“It’s like the light”), LXV (“Like trains of cars. . . .”), and XIV (“Some things that fly . . .”). This can be located via http://www.bartleby.com/cgi-bin/texis/webinator/sitesearch?FILTER=colDickinsoE&query=bee&x=0&y=0.

Deborah Digges, “Telling the Bees,” Trapeze (Knopf, 2004); http://www.poets.org/poetsorg/poem/telling-bees.

Carol Ann Duffy, The Bees (Faber & Faber, 2013).

Norman Rowland Gale, “Bees,” http://www.buzzaboutbees.net/a-poem-about-bees.html.

Eamon Grennan, “Up Against It,” Out of Sight: New & Selected Poems (Graywolf Press, 2010).

Jane Hirshfield, “Bees,” The Lives of the Heart (HarperPerennial, 1997), p. 61.

Rudyard Kipling, “The Bee-Boy’s Song,” http://www.poetryloverspage.com/poets/kipling/bee_boys_song.html.

Sarah Lindsay, “Tell the Bees,” Poetry (October 2008).

Betty Lies, “End Notes for a Small History,” Southern Poetry Review XXXVIII:1 (Summer 1998), page 33.
Janet Loxley Lewis, “Austerity,” http://www.poets.org/poetsorg/poem/austerity.

Antonio Machado, “Anche Cuando Dormía” (Last Night as I Was Sleeping), translated by Robert Bly, http://www.goodreads.com/topic/show/208676-sept-12--last-night-as-i-was-sleeping---antonio-machado. See also some variant translations of part of this poem at http://vielmetti.typepad.com/vacuum/2011/12/anoche-cuando-dorm%C3%ADa-three-translations.html.

Bruce Mackinnon, “The Bees,” Poetry (February 2009).

Osip Mandelstam, “Heaviness, tenderness. . . .,” translation by EugeneSerebryany, http://www.bu.edu/agni/poetry/print/2012/75-mandelstam-heaviness.html. A translation by A. S. Cline, with the title, “Sisters, Heaviness and Tenderness, you look the same,” is found at www.poetryintranslation.com/PITBcR/Russian/Mandelstam.htm#_Toc485874623.

Osip Mandelstam, “For Joy’s Sake,” translation by A. S. Cline,

Dave Marghoshes, “My Mother’s Ring,” http://www.yourdailypoem.com/listpoem.jsp?poem_id=1372. 

Julie L. Moore, "Hells Angels," Particular Scandals (Wipf and Stock, 2013).
 
Naomi Shihab Nye, Honeybee (Greenwillow Books, 2008).

Lucia Perillo, “Daisies vs. Bees,” http://www.orionmagazine.org/index.php/articles/poem/7705/.

Sylvia Plath, “The Bee Meeting,” “Bees,” “The Arrival of the Bee Box,” “Stings,” and “Wintering,” Ariel: The Restored Edition  A Facsimile of Plath’s Manuscript, Reinstating Her Original Selection and Arrangement (HarperCollins, 2004), pp. 81-90, 189, 193).

Lizette Woodworth Reese, Telling the Bees,” She Wields a Pen: American Women Poets of the Nineteenth Century (University of Iowa Press, 1997).

Matthew Rohrer, “Garden of Bees,” http://www.poets.org/viewmedia.php/prmMID/22554?utm_source=PAD%3A+Austerity+by+Janet+Loxley+Lewis&utm_campaign=poemaday_112313&utm_medium=email.


Jeanie Tomasko, “Little Lives,” and “Watching Bees,” Tricks of Light (Poetry Series; Madison Wisconsin: Parallel Press, 2012), pages 11 and 26.

Kirsten Shoshanna Traynor, “The Song of Bees,” http://www.mdbee.com/poetry/songofbees.html.

Kirsten Shoshanna Traynor, “Nectar Flow,” http://www.mdbee.com/poetry/nectarflow.html,

Mona Van Duyn, “A Time of Bees,” If It Be Not I: Collected Poems 1959-1982 (Alfred A. Knopf, a 1959).
Jean Valentine, “Bees,” Door in the Mountain: New and Collected Poems, 1965-2003 (Wesleyan University Press, 2004).

Isaac Watts, “How Doth the Busy Little Bee,” http://www.poets.org/poetsorg/poem/how-doth-little-busy-bee.

John Greenleaf Whittier, “Telling the Bees,” http://www.poetryfoundation.org/poem/174759.

Nancy Willard, “The February Bee,” The Sea At Truro (Knopf, 2012).

Eleanor Rand Wilner, “The Girl with Bees in Her Hair” and “Field of Vision,” The Girl with Bees in Her Hair (Copper Canyon Press, 2004).

Franz Wright, “Bees of Eleusis,” Poetry (January 2011).

William Butler Yeats, “The Lake Isle of Innisfree, http://www.poets.org/poetsorg/poem/lake-isle-innisfree.

 

William Butler Yeats, “The Stare’s Nest By My Window,” http://www.cse.unsw.com/~norman/CurrentAffairs/yeats.html.


May you spend some part of April in a “bee-loud glade.”

© Wilda Morris






Friday, July 2, 2010

July Poetry Challenge

William Marr who was born in China and lives in Illinois is a very prolific poet. He has published numerous books of poetry in his native Chinese, under the pen name of Fei Ma. He is quite well-known as a poet in Taiwan, Hong Kong and China. His work has even been included in textbooks on poetry in China. Marr has also published two books in English. His work has found homes in over one hundred anthologies. Most of Marr’s poems are short, concise and thought-provoking. Some are humorous. In addition to writing and translating poetry, Marr is a painter and sculptor. You can read many of Marr's poems in Chinese or English, and see some of his art work by clicking on the links to the right on this blog.

From 1969 until his retirement in 1999, Marr (who has a Ph.D. in Nuclear Engineering from the University of Wisconsin) did research in energy and environmental systems at Argonne National Laboratory.

In his book Autumn Window, Marr has a set of four poems about birds, each reflecting a season of the year.

Birds * Four Seasons

Spring

If you wish to know
the shortest distance
between two trees
on this bright, enchanting day
any of the small, swift birds
can tell you with their twitter

It’s not a straight line


Summer

At noon
struck by a flaming light
a small bird
plummets through
dense leafy shade

Until slowly awakening
to discover himself
standing on a tree
lush and luxuriant

All that can be green
is green


Autumn

When did the eyes
become so blurry

A bird flying higher and higher
discovered
its own reflection in a pond
the smaller the clearer


Winter

The last thread of mist
drifting in the air
finally joins
the icicles beneath the eaves

In this winter
how can I criticize
a small bird’s song
brief and evasive

-- William Marr

From Autumn Window


Marr’s most recent book of poetry in English, Between Heaven and Earth, can be purchased from at www.publishamerica.net/product91300.html.

A much longer cycle of four seasonal poems is “The Seasons" by Kristijonas Donelaitis found at www.efn.org/~valdas/seasons.html. Donelaitis, a Lithuanian poet, wrote this sequence about the lives of peasants in the mid-eighteenth century in hexameters (a total of almost 3000 lines!).


The July Challenge

The challenge for July is to write a series of four brief poems representing the four seasons. There are to be no more than 12 lines in each poem. Select a theme which will tie the four together (in the way birds tie Marr’s poems together). You may use free verse, haiku, or a rhymed form. Poems published in books or on the Internet are not eligible.

Send your poem to wildamorris [at] ameritech [dot] net (substitute the @ sign for “at” and a . for [dot], and don’t leave any spaces). Or you can access my Facebook page and send the poem in a message. Be sure to give me your e-mail address so I can respond. Submission of a poem gives permission for the poem to be posted on the blog, if it is a winner.

Some Seasonal Poems You Might Want to Read

* Haiku generally includes seasonal references. See for instance: The Essential Haiku: Versions of Basho, Buson, & Issa (Essential Poets); and Haiku Moment: An Anthology of Contemporary North American Haiku
* "Daffodils" by William Wordsworth, in William Wordsworth - The Major Works (Oxford World's Classics)
* "Shall I Compare Thee to a Summer's Day" by William Shakespeare, in Shakespeare's Sonnets (Yale Nota Bene)
* “in Just” by E. E. Cummings in E. E. Cummings: Complete Poems, 1904-1962 (Revised, Corrected, and Expanded Edition)
* “Spring Comes to the Suburbs,” “Good Humor Man,” and numerous other poems by Phyllis McGinley, in Times Three
*“The Fifth of July, by Grace Schulman, in The Broken String
*“Returning Birds,” in Wistawa Szymborska’s Nobel Prize winning book (translated from the Polish by Stanislaw BaraÅ„czak and Clare Cavanagh, Poems New and Collected
* “Snow,” by Naomi Shihab Nye, in Fuel: Poems by Naomi Shihab Nye

* Numerous poems by Mary Oliver, including “Summer Story” and “Summer Morning” in Red Bird* Many poems by Jane Kenyon, including the series, “Walking Alone in Late Winter,” in Collected Poems and The Boat of Quiet Hours (Poems)
* The akam poems, which (like haiku) have seasonal references, in Poets of the Tamil Anthologies (Princeton library of Asian translations)
* “Cottonwood” by William Stafford, in Even in Quiet Places: Poems and History is loose again: Poems
* “November Bargain,” and “Winter Etude” by June Nirschl, and other poems in the joint collection by Nirschl, Nancy Rafal and Judy Roy entitled Slightly Off Q
* “April Fools,” by Christine Swanberg, in The The Tenderness of Memory: New and Selected Poems
* “Language of the Birds,” by Gladyce Nahbenayash in Dreaming History: A Collection of Wisconsin Native-American Writing
* “Kamperfoelie” (and translation, “Honeysuckle,” by J. C. Bloem, in Turning Tides: Modern Dutch & Flemish Verse in English Versions by Irish Poets
* “The Fall” by Heather McHugh in Hinge & Sign: Poems, 1968-1993
* “September afternoon at four o’clock,” and “Snow, snow,” by Marge Piercy, in Circles on the Water


July Challenge Deadline: July 15, 2010

Dorn Septet Challenge: A rhymed Dorn Septet with a minimum of three stanzas. No poems previously published in books or on-line. Deadline September 15, 2010. See the June Challenge for the rules of the Dorn Septet and an example by Glenna Holloway.

© 2010 Wilda Morris